PopaHALLics #154 "It's Alive!" In this mini-episode, Steve's solo with his review of Guillermo del Toro's "Frankenstein" and the book "Tonight in Jungleland: The Making of Born to Run," by Peter Ames Carlin. Kate provided rapid-fire reviews of new albums by female artists. Streaming: "Frankenstein," Netflix. Del Toro's version of Mary Shelley's 1818 novel is visually gorgeous, solidly acted, and really comes to life when the Creature (Jacob Elordi) tells his tale. Oscar Isaacs is the arrogant...
All content for PopaHALLics is the property of Steve & Kate Hall and is served directly from their servers
with no modification, redirects, or rehosting. The podcast is not affiliated with or endorsed by Podjoint in any way.
PopaHALLics #154 "It's Alive!" In this mini-episode, Steve's solo with his review of Guillermo del Toro's "Frankenstein" and the book "Tonight in Jungleland: The Making of Born to Run," by Peter Ames Carlin. Kate provided rapid-fire reviews of new albums by female artists. Streaming: "Frankenstein," Netflix. Del Toro's version of Mary Shelley's 1818 novel is visually gorgeous, solidly acted, and really comes to life when the Creature (Jacob Elordi) tells his tale. Oscar Isaacs is the arrogant...
PopaHALLics #147 "Pop and Politics" Steve and Kate weigh in on "South Park" taking on Trump; the cancellation of Stephen Colbert's late-night show; and the demise of the Corporation for Public Broadcasting. Then we talk Lena Dunham's new show; Happy Gilmore—and more! NOTE: Steve's voice is muted in spots due to recording difficulties, not interference by government overlords. We think. Streaming: "Too Much," Netflix. In this rom-com mini-series created by Lena Dunham ("Girls"), New Yorker Jes...
PopaHALLics
PopaHALLics #154 "It's Alive!" In this mini-episode, Steve's solo with his review of Guillermo del Toro's "Frankenstein" and the book "Tonight in Jungleland: The Making of Born to Run," by Peter Ames Carlin. Kate provided rapid-fire reviews of new albums by female artists. Streaming: "Frankenstein," Netflix. Del Toro's version of Mary Shelley's 1818 novel is visually gorgeous, solidly acted, and really comes to life when the Creature (Jacob Elordi) tells his tale. Oscar Isaacs is the arrogant...
