It’s comics time on Popular Antiquarian as my parlous state of mental health sends me scurrying into the comforting embrace of 1960s Batman, here represented by issue 350 of Detective Comics from April 1966. The Caped Crusader has allegedly met his match in the shape of the very stupid Monarch of Menace but what kind of quality does this retro comic represent? Listen along to find out. The Batman story in this issue features art by Sheldon Moldoff pretending to be Bob Kane, inking by Joe Giella, lettering by Joe Letterese and cover art by Joe Kubert. It was written by Rob Kanigher.
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It’s comics time on Popular Antiquarian as my parlous state of mental health sends me scurrying into the comforting embrace of 1960s Batman, here represented by issue 350 of Detective Comics from April 1966. The Caped Crusader has allegedly met his match in the shape of the very stupid Monarch of Menace but what kind of quality does this retro comic represent? Listen along to find out. The Batman story in this issue features art by Sheldon Moldoff pretending to be Bob Kane, inking by Joe Giella, lettering by Joe Letterese and cover art by Joe Kubert. It was written by Rob Kanigher.
The sheer brass neck of making an unauthorised sequel to Titanic is in many ways the most impressive thing about this film. Is it possible to remake one of the greatest visual spectacles in modern cinema without access to vast quantities of money? Is it possible to do it without access to a boat? All these questions and more will be answered in this week’s episode.
Popular Antiquarian
It’s comics time on Popular Antiquarian as my parlous state of mental health sends me scurrying into the comforting embrace of 1960s Batman, here represented by issue 350 of Detective Comics from April 1966. The Caped Crusader has allegedly met his match in the shape of the very stupid Monarch of Menace but what kind of quality does this retro comic represent? Listen along to find out. The Batman story in this issue features art by Sheldon Moldoff pretending to be Bob Kane, inking by Joe Giella, lettering by Joe Letterese and cover art by Joe Kubert. It was written by Rob Kanigher.