Post Credits Podcast is a show about taking a closer look at a film each week and where it may land in the ever changing Industry. With all the changes in how films are delivered and streaming becoming increasingly popular, can theatrical distribution and presentation survive? We think so. We hope you do too.
All content for Post Credits Podcast is the property of Graysonmaxwell1@gmail.com and is served directly from their servers
with no modification, redirects, or rehosting. The podcast is not affiliated with or endorsed by Podjoint in any way.
Post Credits Podcast is a show about taking a closer look at a film each week and where it may land in the ever changing Industry. With all the changes in how films are delivered and streaming becoming increasingly popular, can theatrical distribution and presentation survive? We think so. We hope you do too.
059 - Five Nights at Freddy's 2, Dir. Emma Tammi
Five Nights at Freddy's (2023) was a surprising hit. It was absurd, but had elements to make it work in ways it probably shouldn't have.
Five Nights at Freddys 2 (2025) somehow lost the magic it had. Did we need another Five Nights at Freddy's Movie?
0:00:00 - Introductions and Banter
0:09:30 - Box Office
0:12:30 - Netflix Acquiring Warner Brothers?
0:33:00 - Movie Recommendation- Arachnophobia, Dir Frank marshall (1980)
0:38:00 - Five Nights at Freddy's - Did we need a sequel? (No)
0:49:30 - Five Nights at Freddy's 2, Dir. Emma Tammi
1:21:00 - Five Nights at Freddy's 2: Final thoughts
Hosted, produced and mixed by Grayson Maxwell and Roger Stillion.
Visit the new Youtube channel, "Post Credits Podcast" to watch the video version.
Thank you for listening!
Check us out on many podcast services:
Apple Podcasts, Amazon Music, Google Podcasts, Spotify, Podbean.
Check is out on YouTube for the full video each week:
https://www.youtube.com/@Postcreditspodcast1
Post Credits Podcast
Post Credits Podcast is a show about taking a closer look at a film each week and where it may land in the ever changing Industry. With all the changes in how films are delivered and streaming becoming increasingly popular, can theatrical distribution and presentation survive? We think so. We hope you do too.
