Projector Pod fave, the director Paul Thomas Anderson, returns to the cinema screen with his Pynchonesque epic of collapsing revolutionaries, One Battle After Another. With a plot too twisty to explain, characters too real and surreal to describe, and a tone that resists simple labels, it is remarkable that this film works so well. Yet, it also makes sense that it feels like just the right movie for the moment. If you think Projector Pod is the kind of thing you'd like to support, ...
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Projector Pod fave, the director Paul Thomas Anderson, returns to the cinema screen with his Pynchonesque epic of collapsing revolutionaries, One Battle After Another. With a plot too twisty to explain, characters too real and surreal to describe, and a tone that resists simple labels, it is remarkable that this film works so well. Yet, it also makes sense that it feels like just the right movie for the moment. If you think Projector Pod is the kind of thing you'd like to support, ...
He's coming! And by "he" we mean Robert Eggers' reimagining of the sublime Dracula copyright dodge, "Nosferatu". Eggers' telling centres on Ellen, the character who in previous versions has been the object of the Vampyr, Orlok's, appetite. But Eggers' version poses the question that she might be the subject who summoned him to satisfy her own. But can this smoothed version of Eggers' auteurship in pursuit of a popcorn hit adequately grapple with such a troubling idea?
Projector Pod
Projector Pod fave, the director Paul Thomas Anderson, returns to the cinema screen with his Pynchonesque epic of collapsing revolutionaries, One Battle After Another. With a plot too twisty to explain, characters too real and surreal to describe, and a tone that resists simple labels, it is remarkable that this film works so well. Yet, it also makes sense that it feels like just the right movie for the moment. If you think Projector Pod is the kind of thing you'd like to support, ...
