On episode 39 of Really Weird Stuff: A Twin Peaks Podcast, we're discussing Twin Peaks the Return: Part 78- "Gotta light?" This episode was written by David Lynch and Mark Frost, and Directed by David Lynch. It's best known as being the most cinematic episode of television that ever aired, and for presenting a complex metaphor for the battle between the light and dark and the perpetuating horrors that America unleashed when we decided to play god. Christopher Nolan could never. Special ...
All content for Really Weird Stuff: A Twin Peaks Podcast is the property of Divine Bettie Media and is served directly from their servers
with no modification, redirects, or rehosting. The podcast is not affiliated with or endorsed by Podjoint in any way.
On episode 39 of Really Weird Stuff: A Twin Peaks Podcast, we're discussing Twin Peaks the Return: Part 78- "Gotta light?" This episode was written by David Lynch and Mark Frost, and Directed by David Lynch. It's best known as being the most cinematic episode of television that ever aired, and for presenting a complex metaphor for the battle between the light and dark and the perpetuating horrors that America unleashed when we decided to play god. Christopher Nolan could never. Special ...
On episode 25 of Really Weird Stuff, we're discussing Twin Peaks Season 2, Episode 17: "Wounds and Scars". This episode was written by Barry Pullman and directed by Madonna video visionary, James Foley, who brings his more conventional cinematic style to our favorite mountain town. This episode is best known for the hijinks that ensue at Ben Horne's Save the Pine Weasel Fundraiser and Fashion Show. Special guest Matt Findley joins us to explore such mysteries as: HOW exactly are Norma...
Really Weird Stuff: A Twin Peaks Podcast
On episode 39 of Really Weird Stuff: A Twin Peaks Podcast, we're discussing Twin Peaks the Return: Part 78- "Gotta light?" This episode was written by David Lynch and Mark Frost, and Directed by David Lynch. It's best known as being the most cinematic episode of television that ever aired, and for presenting a complex metaphor for the battle between the light and dark and the perpetuating horrors that America unleashed when we decided to play god. Christopher Nolan could never. Special ...
