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Really Weird Stuff: A Twin Peaks Podcast
Divine Bettie Media
41 episodes
1 month ago
On episode 39 of Really Weird Stuff: A Twin Peaks Podcast, we're discussing Twin Peaks the Return: Part 78- "Gotta light?" This episode was written by David Lynch and Mark Frost, and Directed by David Lynch. It's best known as being the most cinematic episode of television that ever aired, and for presenting a complex metaphor for the battle between the light and dark and the perpetuating horrors that America unleashed when we decided to play god. Christopher Nolan could never. Special ...
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On episode 39 of Really Weird Stuff: A Twin Peaks Podcast, we're discussing Twin Peaks the Return: Part 78- "Gotta light?" This episode was written by David Lynch and Mark Frost, and Directed by David Lynch. It's best known as being the most cinematic episode of television that ever aired, and for presenting a complex metaphor for the battle between the light and dark and the perpetuating horrors that America unleashed when we decided to play god. Christopher Nolan could never. Special ...
Show more...
Film Reviews
Comedy,
TV & Film
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RWS #27: Twin Peaks - Variations on Relations
Really Weird Stuff: A Twin Peaks Podcast
1 hour 11 minutes
2 years ago
RWS #27: Twin Peaks - Variations on Relations
On episode 27 of Really Weird Stuff, we're discussing Twin Peaks Season 2, Episode 19: "Variations on Relations". This episode was written by Harley Peyton and Mark Frost and directed by Jonathan Sanger (producer on The Elephant Man). This episode is best known for everyone gearing up for the Miss Twin Peaks Contest, Dick Tremayne's wine tasting, and Gordon Cole's (David Lynch) memorial last visit to the RR. We explore such mysteries as: WHY are the men being so EXTRA? HOW does ever...
Really Weird Stuff: A Twin Peaks Podcast
On episode 39 of Really Weird Stuff: A Twin Peaks Podcast, we're discussing Twin Peaks the Return: Part 78- "Gotta light?" This episode was written by David Lynch and Mark Frost, and Directed by David Lynch. It's best known as being the most cinematic episode of television that ever aired, and for presenting a complex metaphor for the battle between the light and dark and the perpetuating horrors that America unleashed when we decided to play god. Christopher Nolan could never. Special ...