On episode 39 of Really Weird Stuff: A Twin Peaks Podcast, we're discussing Twin Peaks the Return: Part 78- "Gotta light?" This episode was written by David Lynch and Mark Frost, and Directed by David Lynch. It's best known as being the most cinematic episode of television that ever aired, and for presenting a complex metaphor for the battle between the light and dark and the perpetuating horrors that America unleashed when we decided to play god. Christopher Nolan could never. Special ...
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On episode 39 of Really Weird Stuff: A Twin Peaks Podcast, we're discussing Twin Peaks the Return: Part 78- "Gotta light?" This episode was written by David Lynch and Mark Frost, and Directed by David Lynch. It's best known as being the most cinematic episode of television that ever aired, and for presenting a complex metaphor for the battle between the light and dark and the perpetuating horrors that America unleashed when we decided to play god. Christopher Nolan could never. Special ...
RWS #32: Twin Peaks the Return - "My log has a message for you." w/ Two Thangs
Really Weird Stuff: A Twin Peaks Podcast
1 hour 16 minutes
1 year ago
RWS #32: Twin Peaks the Return - "My log has a message for you." w/ Two Thangs
On episode 32 of Really Weird Stuff, we're discussing Twin Peaks: The Return, Part One - "My log has a message for you." This episode was written by David Lynch and Mark Frost, and directed by David Lynch. It originally aired May 21, 2017 on Showtime. This episode is best known for being the long-anticipated, much-rumored third season of Twin Peaks. It takes place 25 years after we left the real Dale Cooper in the lodge with his doppelgänger on the loose out in the world. It was also miraculo...
Really Weird Stuff: A Twin Peaks Podcast
On episode 39 of Really Weird Stuff: A Twin Peaks Podcast, we're discussing Twin Peaks the Return: Part 78- "Gotta light?" This episode was written by David Lynch and Mark Frost, and Directed by David Lynch. It's best known as being the most cinematic episode of television that ever aired, and for presenting a complex metaphor for the battle between the light and dark and the perpetuating horrors that America unleashed when we decided to play god. Christopher Nolan could never. Special ...
