On episode 39 of Really Weird Stuff: A Twin Peaks Podcast, we're discussing Twin Peaks the Return: Part 78- "Gotta light?" This episode was written by David Lynch and Mark Frost, and Directed by David Lynch. It's best known as being the most cinematic episode of television that ever aired, and for presenting a complex metaphor for the battle between the light and dark and the perpetuating horrors that America unleashed when we decided to play god. Christopher Nolan could never. Special ...
All content for Really Weird Stuff: A Twin Peaks Podcast is the property of Divine Bettie Media and is served directly from their servers
with no modification, redirects, or rehosting. The podcast is not affiliated with or endorsed by Podjoint in any way.
On episode 39 of Really Weird Stuff: A Twin Peaks Podcast, we're discussing Twin Peaks the Return: Part 78- "Gotta light?" This episode was written by David Lynch and Mark Frost, and Directed by David Lynch. It's best known as being the most cinematic episode of television that ever aired, and for presenting a complex metaphor for the battle between the light and dark and the perpetuating horrors that America unleashed when we decided to play god. Christopher Nolan could never. Special ...
On episode 34 of Really Weird Stuff, we're discussing Twin Peaks: The Return, Part Three - "Call for help." This episode was written by David Lynch and Mark Frost, and directed by David Lynch. It originally aired May 22, 2017 on Showtime, along with Part Four. This episode is best known for Jade giving two rides. We gather in the Red Room-inspired basement of returning guest, Krishane Jones, to explore such mysteries as: WHY does Naido have to sacrifice herself before Coop can go ou...
Really Weird Stuff: A Twin Peaks Podcast
On episode 39 of Really Weird Stuff: A Twin Peaks Podcast, we're discussing Twin Peaks the Return: Part 78- "Gotta light?" This episode was written by David Lynch and Mark Frost, and Directed by David Lynch. It's best known as being the most cinematic episode of television that ever aired, and for presenting a complex metaphor for the battle between the light and dark and the perpetuating horrors that America unleashed when we decided to play god. Christopher Nolan could never. Special ...
