And we're back into the Phantoms & Operas sagas, seeing how two distinct film eras take on the Phantom: the auteur era of the 70s, and the slasher horror era of the 80s! In the time when creative vision was king, two Phantoms emerge. Wicked, Wicked attempts a new cinematic technique called DuoVision as a Phantom haunts a mid-range hotel, while Brian De Palma and Paul Williams unite for the rock opera Phantom of the Paradise, blending the Phantom with Faust and a lot of great tunes. But on...
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And we're back into the Phantoms & Operas sagas, seeing how two distinct film eras take on the Phantom: the auteur era of the 70s, and the slasher horror era of the 80s! In the time when creative vision was king, two Phantoms emerge. Wicked, Wicked attempts a new cinematic technique called DuoVision as a Phantom haunts a mid-range hotel, while Brian De Palma and Paul Williams unite for the rock opera Phantom of the Paradise, blending the Phantom with Faust and a lot of great tunes. But on...
Dan and Keith head all the way back to the time to that brief overlap between the Golden Age of Hollywood and the dying days of vaudeville with comedy legends the Marx Brothers. In A Night at the Opera, Groucho, Chico, and Harpo Marx were said to hit a new height by blending their signature antics with a more grounded emotional arc (outsourced to supporting characters), but how do those antics hold up? Are aspects a little too vaudeville for a modern audience? And who would be bold enough to ...
Recovered
And we're back into the Phantoms & Operas sagas, seeing how two distinct film eras take on the Phantom: the auteur era of the 70s, and the slasher horror era of the 80s! In the time when creative vision was king, two Phantoms emerge. Wicked, Wicked attempts a new cinematic technique called DuoVision as a Phantom haunts a mid-range hotel, while Brian De Palma and Paul Williams unite for the rock opera Phantom of the Paradise, blending the Phantom with Faust and a lot of great tunes. But on...