And we're back into the Phantoms & Operas sagas, seeing how two distinct film eras take on the Phantom: the auteur era of the 70s, and the slasher horror era of the 80s! In the time when creative vision was king, two Phantoms emerge. Wicked, Wicked attempts a new cinematic technique called DuoVision as a Phantom haunts a mid-range hotel, while Brian De Palma and Paul Williams unite for the rock opera Phantom of the Paradise, blending the Phantom with Faust and a lot of great tunes. But on...
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And we're back into the Phantoms & Operas sagas, seeing how two distinct film eras take on the Phantom: the auteur era of the 70s, and the slasher horror era of the 80s! In the time when creative vision was king, two Phantoms emerge. Wicked, Wicked attempts a new cinematic technique called DuoVision as a Phantom haunts a mid-range hotel, while Brian De Palma and Paul Williams unite for the rock opera Phantom of the Paradise, blending the Phantom with Faust and a lot of great tunes. But on...
Episode 97: Does That Box Office Champ Need a Remake?
Recovered
1 hour 24 minutes
3 months ago
Episode 97: Does That Box Office Champ Need a Remake?
Dan drags Keith into his film history brainrot in order to answer a question: do the biggest hits of the 20th century need or warrant a remake? We look at the biggest hit of each year from 1927 until 1999, from the dawn of the silent era to the birth of Jar Jar Binks and ask which of these hit films should be made again, which should stay lost to film history, and which will never stop being remade. Join in!
Recovered
And we're back into the Phantoms & Operas sagas, seeing how two distinct film eras take on the Phantom: the auteur era of the 70s, and the slasher horror era of the 80s! In the time when creative vision was king, two Phantoms emerge. Wicked, Wicked attempts a new cinematic technique called DuoVision as a Phantom haunts a mid-range hotel, while Brian De Palma and Paul Williams unite for the rock opera Phantom of the Paradise, blending the Phantom with Faust and a lot of great tunes. But on...
