This week the Recovering Queen gang go full throttle with Brian May’s lightning-fast rocker “Dead on Time” from Queen's album Jazz. Matt dusts off his guitars to deliver a frantic cover version, roping in Ian to risk life and larynx on vocals, and the mighty Arthur Russell to batter the drums into submission. Together, they attempt to keep up with Brian’s warp-speed riffing and Roger’s caffeine overdose drumming. We also chat about thunderbolts, Queen’s proto-thrash credentials, and why this ...
All content for Recovering Queen : The Queen Podcast is the property of I Am 7 and is served directly from their servers
with no modification, redirects, or rehosting. The podcast is not affiliated with or endorsed by Podjoint in any way.
This week the Recovering Queen gang go full throttle with Brian May’s lightning-fast rocker “Dead on Time” from Queen's album Jazz. Matt dusts off his guitars to deliver a frantic cover version, roping in Ian to risk life and larynx on vocals, and the mighty Arthur Russell to batter the drums into submission. Together, they attempt to keep up with Brian’s warp-speed riffing and Roger’s caffeine overdose drumming. We also chat about thunderbolts, Queen’s proto-thrash credentials, and why this ...
Matt, Jai, and Ian get funky with John Deacon’s monster hit “Another One Bites the Dust” from The Game. We talk about that iconic bassline, the track’s disco-funk crossover magic, and how it became Queen’s biggest U.S. hit. Then we bring it into the Recovering Queen universe with Matt and Ian's cover version and, of course, we score. Don’t forget to check out more Recovering Queen at linktr.ee/queenpodcast where you’ll find our Scorecard, karaoke videos on YouTube, and much more. Don't forget...
Recovering Queen : The Queen Podcast
This week the Recovering Queen gang go full throttle with Brian May’s lightning-fast rocker “Dead on Time” from Queen's album Jazz. Matt dusts off his guitars to deliver a frantic cover version, roping in Ian to risk life and larynx on vocals, and the mighty Arthur Russell to batter the drums into submission. Together, they attempt to keep up with Brian’s warp-speed riffing and Roger’s caffeine overdose drumming. We also chat about thunderbolts, Queen’s proto-thrash credentials, and why this ...
