We grade three John Carpenter films with friends who don’t pull punches. One of us calls Halloween overrated, another crowns The Thing near-perfect, and They Live sparks a debate on satire versus spectacle and what “waking up” really means. • how our rubric scores plot, performances, visuals, sound, themes • Halloween’s pacing, thin character work, iconic camera language • boogeyman myth versus desire for deeper lore • They Live’s satire, wrestlers to actors, action drift mid-film • corporat...
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We grade three John Carpenter films with friends who don’t pull punches. One of us calls Halloween overrated, another crowns The Thing near-perfect, and They Live sparks a debate on satire versus spectacle and what “waking up” really means. • how our rubric scores plot, performances, visuals, sound, themes • Halloween’s pacing, thin character work, iconic camera language • boogeyman myth versus desire for deeper lore • They Live’s satire, wrestlers to actors, action drift mid-film • corporat...
We explore the revolutionary filmmaking of Spike Lee, diving deep into three of his most iconic films: "She's Gotta Have It," "Do the Right Thing," and "Malcolm X." • "She's Gotta Have It" (1986) launched Spike Lee's career with its experimental style and bold portrayal of female sexuality • Jimmy the Toucan joins to review Lee's debut, discussing its black and white aesthetic, jazz soundtrack, and themes of self-love • "Do the Right Thing" (1989) examines racial tensions in a Brooklyn neigh...
Reel Talk w/ Al the Movie Lion
We grade three John Carpenter films with friends who don’t pull punches. One of us calls Halloween overrated, another crowns The Thing near-perfect, and They Live sparks a debate on satire versus spectacle and what “waking up” really means. • how our rubric scores plot, performances, visuals, sound, themes • Halloween’s pacing, thin character work, iconic camera language • boogeyman myth versus desire for deeper lore • They Live’s satire, wrestlers to actors, action drift mid-film • corporat...
