“Archival recovery: it’s journalism, but with dead people” 😵☠️🪦🗃️ Elizabeth Colwell (1881–1961) was the only woman listed as an American designer by American Institute of Graphic Arts (AIGA) in 1948. A working artist in Chicago, she was a printmaker, painter, and writer, plus designed Colwell Handletter and Colwell Handletter Italics for American Type Founders in 1916. Colwell wrote about hand lettering ✍️ for Sketch Book (1904). Her work also appeared The Printing Art (1905) and Inland Print...
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“Archival recovery: it’s journalism, but with dead people” 😵☠️🪦🗃️ Elizabeth Colwell (1881–1961) was the only woman listed as an American designer by American Institute of Graphic Arts (AIGA) in 1948. A working artist in Chicago, she was a printmaker, painter, and writer, plus designed Colwell Handletter and Colwell Handletter Italics for American Type Founders in 1916. Colwell wrote about hand lettering ✍️ for Sketch Book (1904). Her work also appeared The Printing Art (1905) and Inland Print...
“Well, I want the Christmas card” 🎄🎅✉️ Elizabeth Friedlander (1903–1984) made a typeface, disinformation campaigns, Die Dame fashion magazine layouts, decorative paper patterns for Curwen, book covers for publishers like Penguin and Mills & Boon, plus played the violin. Born in Germany, she studied with typography and calligraphy with Emil Rudolf Weiss (former student of Anna Simons) who likely introduced her to Bauer foundry director Georg Hartmann. Bauer commissioned her eponymous...
Re(un)Covered
“Archival recovery: it’s journalism, but with dead people” 😵☠️🪦🗃️ Elizabeth Colwell (1881–1961) was the only woman listed as an American designer by American Institute of Graphic Arts (AIGA) in 1948. A working artist in Chicago, she was a printmaker, painter, and writer, plus designed Colwell Handletter and Colwell Handletter Italics for American Type Founders in 1916. Colwell wrote about hand lettering ✍️ for Sketch Book (1904). Her work also appeared The Printing Art (1905) and Inland Print...