Joe McHugh is a storyteller, fiddler, and award-winning public radio journalist who travels the world exploring the many roles the violin family of instruments play in society today. He has interviewed gifted musicians who play a variety of styles—classical, folk, jazz, and rock—as well as master luthiers, dealers, collectors, tone wood producers, insurance agents, museum curators, rosin makers, string designers—even FBI agents who have helped recover stolen violins. The Rosin the Bow archive of recorded interviews will eventually become a permanent part of the Smithsonian Institution’s collection of violin-related materials.
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Joe McHugh is a storyteller, fiddler, and award-winning public radio journalist who travels the world exploring the many roles the violin family of instruments play in society today. He has interviewed gifted musicians who play a variety of styles—classical, folk, jazz, and rock—as well as master luthiers, dealers, collectors, tone wood producers, insurance agents, museum curators, rosin makers, string designers—even FBI agents who have helped recover stolen violins. The Rosin the Bow archive of recorded interviews will eventually become a permanent part of the Smithsonian Institution’s collection of violin-related materials.
After conducting over 150 interviews for the Rosin the Bow project in the United States and in Europe with musicians, violin makers, composers, tone wood experts, string designers, violin shop owners, bow makers, museum curators, and others, I realized I had yet to interview a violin rosin maker. This led me to travel to Kentucky where I sat down with a man of many parts: orchestra teacher in the public schools, a violin restorer, a violin maker, and, yes, a rosin maker. Perhaps you'll learn something from our conversation about the different aspects of rosin making that you didn't know before. I can say, I sure did.
Rosin the Bow with Joe McHugh
Joe McHugh is a storyteller, fiddler, and award-winning public radio journalist who travels the world exploring the many roles the violin family of instruments play in society today. He has interviewed gifted musicians who play a variety of styles—classical, folk, jazz, and rock—as well as master luthiers, dealers, collectors, tone wood producers, insurance agents, museum curators, rosin makers, string designers—even FBI agents who have helped recover stolen violins. The Rosin the Bow archive of recorded interviews will eventually become a permanent part of the Smithsonian Institution’s collection of violin-related materials.
