In Robert Wise's Born to Kill (1947), Claire Trevor veers between planning a future with Lawrence Tierney and curating his downfall. She gives one of her best performances in a picture that was initially dismissed as lurid but has since been reclaimed as a classic. Beneath the smart suits, metallic-stud accessories, and mink coat beats the heart of 'the coldest iceberg of a woman' who is utterly compelling to watch.
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In Robert Wise's Born to Kill (1947), Claire Trevor veers between planning a future with Lawrence Tierney and curating his downfall. She gives one of her best performances in a picture that was initially dismissed as lurid but has since been reclaimed as a classic. Beneath the smart suits, metallic-stud accessories, and mink coat beats the heart of 'the coldest iceberg of a woman' who is utterly compelling to watch.
Joan Crawford gets away with murder mostly because she's dressed like a high fashion gladiator in a silver shield designed by Adrian. Joan gives a boldly physical performance which showed women in the audience how to confront a dangerous man and come out on top.
SassMouthDames
In Robert Wise's Born to Kill (1947), Claire Trevor veers between planning a future with Lawrence Tierney and curating his downfall. She gives one of her best performances in a picture that was initially dismissed as lurid but has since been reclaimed as a classic. Beneath the smart suits, metallic-stud accessories, and mink coat beats the heart of 'the coldest iceberg of a woman' who is utterly compelling to watch.
