In a special series direct from the Ubud Writers & Readers Festival, Karen chats to Craig Leeson (impact filmmaker) about how growing up in Tasmania made him an environmental activist, how to find a hook to capture your audience, how to tell a story in few words, the importance of character development, how to keep an audience engaged, how to avoid overwhelming people when telling tough stories, and how hitting the lowest low of his career paved the way for the highest high. Supported by ...
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In a special series direct from the Ubud Writers & Readers Festival, Karen chats to Craig Leeson (impact filmmaker) about how growing up in Tasmania made him an environmental activist, how to find a hook to capture your audience, how to tell a story in few words, the importance of character development, how to keep an audience engaged, how to avoid overwhelming people when telling tough stories, and how hitting the lowest low of his career paved the way for the highest high. Supported by ...
Ubud Writers & Readers Festival 2025 Special Series: Episode 71: Green room stories
Secrets from the Green Room
24 minutes
1 month ago
Ubud Writers & Readers Festival 2025 Special Series: Episode 71: Green room stories
In this episode Irma and Karen chat about the 2025 Ubud Writers & Readers Festival, painting a picture of the festival atmosphere and sharing some of the highlights. Then they ask six authors at the festival – Clare Wright, Jenny Erpenbeck, Lech Blaine, Yves Rees, Craig Leeson and Virginia Haussegger – to share a green room story. They uncover Bryan Brown’s funny festival request, Thomas Keneally's unwitting green room 'theft', Jenny Erpenbeck’s props room catastrophe, Annabel Crabb...
Secrets from the Green Room
In a special series direct from the Ubud Writers & Readers Festival, Karen chats to Craig Leeson (impact filmmaker) about how growing up in Tasmania made him an environmental activist, how to find a hook to capture your audience, how to tell a story in few words, the importance of character development, how to keep an audience engaged, how to avoid overwhelming people when telling tough stories, and how hitting the lowest low of his career paved the way for the highest high. Supported by ...
