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SlashBack Cinema
Ryan Dreimiller and Shanny Luft
48 episodes
1 week ago
This week on SlashBack Cinema, we ask the question: Ho ho ho? Or no no no? we unwrap Silent Night, Deadly Night, the controversial 1984 Christmas slasher that turned mall Santas into horror icons. From Billy’s childhood trauma and religious guilt to infamous kill scenes, protest-fueled marketing, and a body count that launched a franchise, we break down what still works, what absolutely doesn’t, and why this film refuses to stay buried under the tree. Send us a text Support the show
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TV & Film
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All content for SlashBack Cinema is the property of Ryan Dreimiller and Shanny Luft and is served directly from their servers with no modification, redirects, or rehosting. The podcast is not affiliated with or endorsed by Podjoint in any way.
This week on SlashBack Cinema, we ask the question: Ho ho ho? Or no no no? we unwrap Silent Night, Deadly Night, the controversial 1984 Christmas slasher that turned mall Santas into horror icons. From Billy’s childhood trauma and religious guilt to infamous kill scenes, protest-fueled marketing, and a body count that launched a franchise, we break down what still works, what absolutely doesn’t, and why this film refuses to stay buried under the tree. Send us a text Support the show
Show more...
TV & Film
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Phantasm (1979)
SlashBack Cinema
30 minutes
6 months ago
Phantasm (1979)
Evil dwarves, deadly spheres, and one creepy mortician — we're exploring Phantasm (1979)! Is it a dream? A nightmare? Or something worse? Tune in for our take on the Tall Man and why this bizarre cult classic still haunts us. Send us a text Support the show
SlashBack Cinema
This week on SlashBack Cinema, we ask the question: Ho ho ho? Or no no no? we unwrap Silent Night, Deadly Night, the controversial 1984 Christmas slasher that turned mall Santas into horror icons. From Billy’s childhood trauma and religious guilt to infamous kill scenes, protest-fueled marketing, and a body count that launched a franchise, we break down what still works, what absolutely doesn’t, and why this film refuses to stay buried under the tree. Send us a text Support the show