No one understands the power of cinema more than a dictator. The way movies can manipulate filmgoers to laugh, cry, and jump out of their seats in fear can be quite an attractive tool for controlling hearts and minds. Hitler and Stalin knew how to push propaganda to moviegoers in an effort to gain support for their respective pursuits. But propaganda is easy, art is hard. And while Soviet Russia and Nazi Germany both had robust film industries, neither would ever reach the heights of the West. Yet in a small east Asian country lived a film lover and future dictator who thought differently. He believed that cinema could both serve the state and garner international attention and acclaim. On today's episode we’re going to discuss how one despot yearned to legitimize the film industry of his little nation state and the extreme lengths he would go to do so. So let's start up the projector for Dictator Cinema: the Films of North Korea.
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No one understands the power of cinema more than a dictator. The way movies can manipulate filmgoers to laugh, cry, and jump out of their seats in fear can be quite an attractive tool for controlling hearts and minds. Hitler and Stalin knew how to push propaganda to moviegoers in an effort to gain support for their respective pursuits. But propaganda is easy, art is hard. And while Soviet Russia and Nazi Germany both had robust film industries, neither would ever reach the heights of the West. Yet in a small east Asian country lived a film lover and future dictator who thought differently. He believed that cinema could both serve the state and garner international attention and acclaim. On today's episode we’re going to discuss how one despot yearned to legitimize the film industry of his little nation state and the extreme lengths he would go to do so. So let's start up the projector for Dictator Cinema: the Films of North Korea.
Staying out after curfew. Backtalking to teachers. Drag racing. And worst of all, rock-n-roll music. What started off as a few greasers with leather jackets in the 1950s turned into a national panic every time a stuck up square uttered the term "juvenile delinquent.” Hollywood caught wind of this pretty quickly and responded accordingly with movies like “Blackboard Jungle and “Rebel Without a Cause.” And then the cheap exploitation knockoffs, slashers and cautionary tales came in droves. So join us for some good old fashioned sex, drugs and rock-n-roll. And rape and murder and STDs and switchblades and werewolves and sexy dancing and the potential murder of Natalie Wood and pedophiles that kill you in your dreams and teen lesbian murders and well, you get the point. All the things that teenagers love to do but hate the consequences of in today’s episode on Teensploitation.
Slums of Film History
No one understands the power of cinema more than a dictator. The way movies can manipulate filmgoers to laugh, cry, and jump out of their seats in fear can be quite an attractive tool for controlling hearts and minds. Hitler and Stalin knew how to push propaganda to moviegoers in an effort to gain support for their respective pursuits. But propaganda is easy, art is hard. And while Soviet Russia and Nazi Germany both had robust film industries, neither would ever reach the heights of the West. Yet in a small east Asian country lived a film lover and future dictator who thought differently. He believed that cinema could both serve the state and garner international attention and acclaim. On today's episode we’re going to discuss how one despot yearned to legitimize the film industry of his little nation state and the extreme lengths he would go to do so. So let's start up the projector for Dictator Cinema: the Films of North Korea.
