No one understands the power of cinema more than a dictator. The way movies can manipulate filmgoers to laugh, cry, and jump out of their seats in fear can be quite an attractive tool for controlling hearts and minds. Hitler and Stalin knew how to push propaganda to moviegoers in an effort to gain support for their respective pursuits. But propaganda is easy, art is hard. And while Soviet Russia and Nazi Germany both had robust film industries, neither would ever reach the heights of the West. Yet in a small east Asian country lived a film lover and future dictator who thought differently. He believed that cinema could both serve the state and garner international attention and acclaim. On today's episode we’re going to discuss how one despot yearned to legitimize the film industry of his little nation state and the extreme lengths he would go to do so. So let's start up the projector for Dictator Cinema: the Films of North Korea.
All content for Slums of Film History is the property of Slate and Tom and is served directly from their servers
with no modification, redirects, or rehosting. The podcast is not affiliated with or endorsed by Podjoint in any way.
No one understands the power of cinema more than a dictator. The way movies can manipulate filmgoers to laugh, cry, and jump out of their seats in fear can be quite an attractive tool for controlling hearts and minds. Hitler and Stalin knew how to push propaganda to moviegoers in an effort to gain support for their respective pursuits. But propaganda is easy, art is hard. And while Soviet Russia and Nazi Germany both had robust film industries, neither would ever reach the heights of the West. Yet in a small east Asian country lived a film lover and future dictator who thought differently. He believed that cinema could both serve the state and garner international attention and acclaim. On today's episode we’re going to discuss how one despot yearned to legitimize the film industry of his little nation state and the extreme lengths he would go to do so. So let's start up the projector for Dictator Cinema: the Films of North Korea.
On a quick glance of this episode’s title, you may think we are talking about the Underground Film Movement. But that’s a highbrow topic and that’s not why you come to Slums of Film History. You come here for the actual horrible things that are underground. The mutant zombie CHUDs that climb out of the sewers to eat rich people’s dogs. You come for the early sci-fi films that somehow found dinosaurs and prehistoric monsters leftover from millions of years ago by drilling down into the earth. You come for the mutant praying mantises that disguise themselves as people in the subway tunnels of New York City. You come for alien killer clowns that emerge from underground to kill kids every 27 years. And of course you come for Sloth. Today we go deep down into the ground, all the way to the earth’s core and back to find out what’s lurking below, down in the Ugly Underground.
Slums of Film History
No one understands the power of cinema more than a dictator. The way movies can manipulate filmgoers to laugh, cry, and jump out of their seats in fear can be quite an attractive tool for controlling hearts and minds. Hitler and Stalin knew how to push propaganda to moviegoers in an effort to gain support for their respective pursuits. But propaganda is easy, art is hard. And while Soviet Russia and Nazi Germany both had robust film industries, neither would ever reach the heights of the West. Yet in a small east Asian country lived a film lover and future dictator who thought differently. He believed that cinema could both serve the state and garner international attention and acclaim. On today's episode we’re going to discuss how one despot yearned to legitimize the film industry of his little nation state and the extreme lengths he would go to do so. So let's start up the projector for Dictator Cinema: the Films of North Korea.
