Julian Meush, Rachel Wilkinson, Daniel D'Souza, and Jeremy Kozier
130 episodes
5 months ago
Lucasfilm Animation has been hard at work on their next major project, 'Maul: Shadow Lord', but they've found the time to deliver another installment in their "Tales of" anthology series. The first ones covering the Jedi and the Empire, they now turn their focus towards the Underworld. However, be warned, this is a bit of a misnomer. Don't expect any crime syndicates or really any large scale criminality here. These 2 mini-arcs instead focus on Asajj Ventress (I know, not the first thing that comes to mind when someone mentions the Underworld) as she assists a young Jedi on the run from the Empire, and the origin story of Cad Bane. Which admittedly is closer in line with the criminal underworld concept, but is really more interested in telling a western style revenge story instead. All in all, despite the always great visuals and sound/music design, and few interesting ideas, there's not enough meat on the bone here to satisfy most viewers. But most disappointing is its failure to capitalize on the potential of the Underworld concept.
All content for Small Screen Star Wars is the property of Julian Meush, Rachel Wilkinson, Daniel D'Souza, and Jeremy Kozier and is served directly from their servers
with no modification, redirects, or rehosting. The podcast is not affiliated with or endorsed by Podjoint in any way.
Lucasfilm Animation has been hard at work on their next major project, 'Maul: Shadow Lord', but they've found the time to deliver another installment in their "Tales of" anthology series. The first ones covering the Jedi and the Empire, they now turn their focus towards the Underworld. However, be warned, this is a bit of a misnomer. Don't expect any crime syndicates or really any large scale criminality here. These 2 mini-arcs instead focus on Asajj Ventress (I know, not the first thing that comes to mind when someone mentions the Underworld) as she assists a young Jedi on the run from the Empire, and the origin story of Cad Bane. Which admittedly is closer in line with the criminal underworld concept, but is really more interested in telling a western style revenge story instead. All in all, despite the always great visuals and sound/music design, and few interesting ideas, there's not enough meat on the bone here to satisfy most viewers. But most disappointing is its failure to capitalize on the potential of the Underworld concept.
Skeleton Crew S1E4 "Can't Say I Remember No At Attin"
Small Screen Star Wars
2 hours 11 minutes 22 seconds
11 months ago
Skeleton Crew S1E4 "Can't Say I Remember No At Attin"
Halfway through the season and 'Skeleton Crew' maintains its strong momentum, even if this fourth episode isn't necessarily a home run. The kids find themselves on a dark mirror-like version of At Attin that has been ravaged by generations of war. Unfortunately, this solid story idea is undercut by being executed slightly too simplistically, even for a kids show. That being said, there are some great moments here. The world-building, was interesting and a we get a few satisfying twists in the larger adventure, including a terrifying final moment. Of course we can't forget about Neel, who finally gets the attention he deserves, sieving upon the opportunity and becoming the internets new favourite adorable Star Wars character (at least until Grogu shows up again).
Small Screen Star Wars
Lucasfilm Animation has been hard at work on their next major project, 'Maul: Shadow Lord', but they've found the time to deliver another installment in their "Tales of" anthology series. The first ones covering the Jedi and the Empire, they now turn their focus towards the Underworld. However, be warned, this is a bit of a misnomer. Don't expect any crime syndicates or really any large scale criminality here. These 2 mini-arcs instead focus on Asajj Ventress (I know, not the first thing that comes to mind when someone mentions the Underworld) as she assists a young Jedi on the run from the Empire, and the origin story of Cad Bane. Which admittedly is closer in line with the criminal underworld concept, but is really more interested in telling a western style revenge story instead. All in all, despite the always great visuals and sound/music design, and few interesting ideas, there's not enough meat on the bone here to satisfy most viewers. But most disappointing is its failure to capitalize on the potential of the Underworld concept.
