Sound Off with Katy Henriksen features in-depth conversations about music that challenges the status quo—hybrid sounds that fall through the cracks because they aren't easily labeled. Whether it's a classical flute-and-electronic music project that takes on police brutality and race, or a mix of poetry, pop and chamber music, Sound Off explores creativity at the intersection of art, music, and literature, and digs into what that work and the people making it tell us about art and life in the 21st century.
All content for Sound Off with Katy Henriksen is the property of Critical Frequency and is served directly from their servers
with no modification, redirects, or rehosting. The podcast is not affiliated with or endorsed by Podjoint in any way.
Sound Off with Katy Henriksen features in-depth conversations about music that challenges the status quo—hybrid sounds that fall through the cracks because they aren't easily labeled. Whether it's a classical flute-and-electronic music project that takes on police brutality and race, or a mix of poetry, pop and chamber music, Sound Off explores creativity at the intersection of art, music, and literature, and digs into what that work and the people making it tell us about art and life in the 21st century.
In today's episode of Sound Off I talk with composer, singer and instrumentalist Nathalie Joachim. She's a Julliard-trained flutist, half of the flute & electronics duo Flutronix and creator of the Grammy-nominated Fanm d’Ayiti featuring the Spektral Quartet, an album described by WNYC’s New Sounds host John Schaefer as "a kind of chamber folk electronic celebration of the voices of Haiti.” Learn about how a listening station at Tower Records informs her unclassifiable sounds as much as both her conservatory training and her Haitian grandmother have, as well as spend time with some of her music.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Sound Off with Katy Henriksen
Sound Off with Katy Henriksen features in-depth conversations about music that challenges the status quo—hybrid sounds that fall through the cracks because they aren't easily labeled. Whether it's a classical flute-and-electronic music project that takes on police brutality and race, or a mix of poetry, pop and chamber music, Sound Off explores creativity at the intersection of art, music, and literature, and digs into what that work and the people making it tell us about art and life in the 21st century.