Promising that any project will “redefine the found footage genre” might set the bar a little high, but audiences were hyped for Shelby Oaks (2025). The debut feature of film critic turned movie maker Chris Stuckmann, this flick got the ball rolling with a fan-backed Kickstarter and ended with horror icon Mike Flanagan lending his name to the poster. But what happens when the word-of-mouth momentum doesn’t seem to last past the premiere date? On a new episode of Spooky Tuesday, we’re examining the tapes for ourselves and adding our voices to the fray as we discuss what worked, where things went wrong, what the casual viewer might not know about the effort that went into this demonic offering to Tarion, and where Monica’s least favorite Taylor Swift lyrics come into play. Welcome to our underworld, Spookies — it’s about to get quite dark. References:https://www.hollywoodreporter.com/movies/movie-features/how-chris-stuckmann-neon-shelby-oaks-1235956162/https://www.hollywoodreporter.com/movies/movie-features/shelby-oaks-chris-stuckmann-new-ending-1236415484/https://www.indiewire.com/features/commentary/shelby-oaks-post-mortem-1235157726/https://www.polygon.com/shelby-oaks-ending-explained-chris-stuckmann-interview/
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Promising that any project will “redefine the found footage genre” might set the bar a little high, but audiences were hyped for Shelby Oaks (2025). The debut feature of film critic turned movie maker Chris Stuckmann, this flick got the ball rolling with a fan-backed Kickstarter and ended with horror icon Mike Flanagan lending his name to the poster. But what happens when the word-of-mouth momentum doesn’t seem to last past the premiere date? On a new episode of Spooky Tuesday, we’re examining the tapes for ourselves and adding our voices to the fray as we discuss what worked, where things went wrong, what the casual viewer might not know about the effort that went into this demonic offering to Tarion, and where Monica’s least favorite Taylor Swift lyrics come into play. Welcome to our underworld, Spookies — it’s about to get quite dark. References:https://www.hollywoodreporter.com/movies/movie-features/how-chris-stuckmann-neon-shelby-oaks-1235956162/https://www.hollywoodreporter.com/movies/movie-features/shelby-oaks-chris-stuckmann-new-ending-1236415484/https://www.indiewire.com/features/commentary/shelby-oaks-post-mortem-1235157726/https://www.polygon.com/shelby-oaks-ending-explained-chris-stuckmann-interview/
The new releases just keep coming, Spookies! This week we're covering Companion (2025), the hotly anticipated horoco/hocoro that stars some of the biggest up-and-comers in the genre. Featuring Sophie Thatcher and Jack Quaid as a retro-futuristic couple — no matter how much of an oxymoron that might sound like — and with support from Lukas Gage, Harvey Guillén, and Megan Suri, this flick doesn't pull any punches on its performances. We don't want to say too much (unlike the trailers, which gave away the whole goat or whatever the saying is), but we're asking the important questions and breaking down all the best bits on the latest Spooky Tuesday. References:https://screenrant.com/companion-2-chances-unlikely-explained-drew-hancock/
Spooky Tuesday - A Horror Movie Podcast
Promising that any project will “redefine the found footage genre” might set the bar a little high, but audiences were hyped for Shelby Oaks (2025). The debut feature of film critic turned movie maker Chris Stuckmann, this flick got the ball rolling with a fan-backed Kickstarter and ended with horror icon Mike Flanagan lending his name to the poster. But what happens when the word-of-mouth momentum doesn’t seem to last past the premiere date? On a new episode of Spooky Tuesday, we’re examining the tapes for ourselves and adding our voices to the fray as we discuss what worked, where things went wrong, what the casual viewer might not know about the effort that went into this demonic offering to Tarion, and where Monica’s least favorite Taylor Swift lyrics come into play. Welcome to our underworld, Spookies — it’s about to get quite dark. References:https://www.hollywoodreporter.com/movies/movie-features/how-chris-stuckmann-neon-shelby-oaks-1235956162/https://www.hollywoodreporter.com/movies/movie-features/shelby-oaks-chris-stuckmann-new-ending-1236415484/https://www.indiewire.com/features/commentary/shelby-oaks-post-mortem-1235157726/https://www.polygon.com/shelby-oaks-ending-explained-chris-stuckmann-interview/
