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Stereoactive Movie Club
Stereoactive Media
40 episodes
6 months ago
Alicia, Mia, Stephen, and Jeremiah – along with special guests – are discussing some of the greatest movies ever made. Who says? Sight And Sound magazine says. Every ten years, since 1952, the publication has surveyed critics and directors to determine which films, according to those surveyed, might be considered the best. The five film-loving friends take turns picking movies that have appeared on the list and then dig into them with an eye on their cultural impact, how they stand up today, and just whether they’re actually as good as all those critics and directors say they are.
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Film History
TV & Film,
Film Reviews
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Alicia, Mia, Stephen, and Jeremiah – along with special guests – are discussing some of the greatest movies ever made. Who says? Sight And Sound magazine says. Every ten years, since 1952, the publication has surveyed critics and directors to determine which films, according to those surveyed, might be considered the best. The five film-loving friends take turns picking movies that have appeared on the list and then dig into them with an eye on their cultural impact, how they stand up today, and just whether they’re actually as good as all those critics and directors say they are.
Show more...
Film History
TV & Film,
Film Reviews
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Ep 4.6 // Pather Panchali
Stereoactive Movie Club
1 hour
3 years ago
Ep 4.6 // Pather Panchali
It’s Lora’s 4th pick: Pather Panchali, the 1955 film directed by Satyajit Ray. Pather Panchali, which translates as “Song of the Little Road,” is based on the 1929 novel of the same name, which is the semi-autobiographical work of author Bibhutibhushan Bandyopadhyay. Satyajit Ray was a graphic designer working on illustrations for a 1944 abridged edition of the book when it was suggested to him that the stoy’s depiction of rural life in the Bengali region of India would make for a good film. A few years later, as Ray became interested in making a movie, he decided to take that suggestion. After a start-stop-start production beset by funding issues, support from the regional government, as well as MoMA and filmmakers like Jean Renoir and John Huston helped to eventually push the production over the finish line. Its success was eventually sure enough that there were two sequels that, together with this film, form what’s known as the “Apu trilogy,” which when taken together follow Apu’s life through adolescence and into adulthood. Pather Panchali won Best Feature Film and Best Bengali Feature Film at India’s 3rd National Film Awards. It was also honored at Cannes with the aforementioned award for Best Human Document and was nominated for or won several other critics, festival, or industry awards around the world. As for our purposes, the film has appeared in the top 10 of Sight & Sound’s critics polls twice, once as a runner up in 1962 and then again at number 6 in 1992. In the 2012 polling, it was ranked #42 by critics and #48 by directors. Produced by Stereoactive Media
Stereoactive Movie Club
Alicia, Mia, Stephen, and Jeremiah – along with special guests – are discussing some of the greatest movies ever made. Who says? Sight And Sound magazine says. Every ten years, since 1952, the publication has surveyed critics and directors to determine which films, according to those surveyed, might be considered the best. The five film-loving friends take turns picking movies that have appeared on the list and then dig into them with an eye on their cultural impact, how they stand up today, and just whether they’re actually as good as all those critics and directors say they are.