‘Wide-ranging and insightful’ - Guardian (pick of the week, January 2024)
A show for anyone who has ever listened to, played, improvised, written, or just enjoyed music and wanted to know more about these mysterious sounds. Are they 'auditory cheesecake' as cognitive scientist Steven Pinker claims, or actually a fundamental part of what has made us into modern humans?
With an enormous variety of guests ranging from well-known musicians, producers and industry figures through to those for whom music is central but who rarely have a voice, this show is unapologetically broad in scope.
In 'entertaining noises', Steve has musicians explain and demonstrate their instrument, giving fresh perspective on everything from the piano to modular synthesizers, via lesser-known folk instruments from around the world.
And in the flagship 'genre tombola' section, Steve is assigned a randomly-chosen genre from the list of 1334 music genres on Wikipedia, which he then goes away and researches, often talking to an expert in that music, before frequently attempting to make some music in that style... Whether he succeeds or not, there's lots of fascinating stuff to learn along the way!
As fun as it is thoughtful, this show aims to help you hear and appreciate music in new ways.
http://www.originofthepieces.com/
Hosted on Acast. See acast.com/privacy for more information.
‘Wide-ranging and insightful’ - Guardian (pick of the week, January 2024)
A show for anyone who has ever listened to, played, improvised, written, or just enjoyed music and wanted to know more about these mysterious sounds. Are they 'auditory cheesecake' as cognitive scientist Steven Pinker claims, or actually a fundamental part of what has made us into modern humans?
With an enormous variety of guests ranging from well-known musicians, producers and industry figures through to those for whom music is central but who rarely have a voice, this show is unapologetically broad in scope.
In 'entertaining noises', Steve has musicians explain and demonstrate their instrument, giving fresh perspective on everything from the piano to modular synthesizers, via lesser-known folk instruments from around the world.
And in the flagship 'genre tombola' section, Steve is assigned a randomly-chosen genre from the list of 1334 music genres on Wikipedia, which he then goes away and researches, often talking to an expert in that music, before frequently attempting to make some music in that style... Whether he succeeds or not, there's lots of fascinating stuff to learn along the way!
As fun as it is thoughtful, this show aims to help you hear and appreciate music in new ways.
http://www.originofthepieces.com/
Hosted on Acast. See acast.com/privacy for more information.
From a Colombian ritual flute heard backstage at Oslo Mela to a children’s TV theme tune played on a London school playground, this episode explores why pentatonic scales turn up everywhere — and why they feel so immediately playable, memorable, and emotionally direct. Along the way, Steve unpacks the thinking behind the theme tune he wrote for My Friend Maisy (also available on NOW), based on the books by Lucy Cousins, and how five carefully chosen notes can shape an entire musical world.
The episode takes a gentle detour into Colombian traditional music with a backstage conversation recorded in 2024 with El León Pardo of Mestizo Collective, exploring the gaita — a ritual wind instrument built around paired male and female voices, deep cultural symbolism, and tightly limited pitch material. That sound becomes a useful reference point for the episode’s main thread: how scales function less like theory and more like palettes of identity.
Back in TV land, Steve breaks down the Maisy theme in detail, showing how pentatonic scales sit at the heart of children’s musical toys, playground instruments, and early musical experiences — and why avoiding semitone clashes makes music feel instantly safe, inclusive, and playable. Using live demonstrations, playground recordings, and some creative repitching in Melodyne, the episode shows how tiny changes to a scale can completely transform a melody’s emotional character.
• A backstage conversation with León Pardo about the Colombian gaita, its ritual use, construction, and sound-world.
• How male and female gaita flutes are paired, and what that reveals about musical identity.
• Why pentatonic scales appear in folk traditions, playground instruments, and children’s musical toys worldwide.
• A breakdown of the theme tune Steve wrote for My Friend Maisy, based on the books by Lucy Cousins.
• Why playground bells and boomwhackers are almost always pentatonic — and why that matters.
• A live experiment repitching the Maisy theme into an Ethiopian-inflected pentatonic.
• Why thinking of scales as identities or colour palettes can make musical listening feel less intimidating.
Also in this episode, Steve reflects on why many people drift away from music when theory becomes detached from sound — and why listening itself is a learnable, creative skill, whether or not you play an instrument.
Plus details of the upcoming Steve Pretty On the Origin of the Pieces live shows at Wilton’s Music Hall on 24th January, including the first ever Origin KIDS matinee at 2pm and the evening show at 7pm. Full details and tickets at originofthepieces.com/live.
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Hosted on Acast. See acast.com/privacy for more information.