The season kicks off in a new gear: raw, real, and live-cut. We bring Esteban into Studio B to unpack a career built on collaboration, bold pivots, and picking the right tools for the job—then pressure-test it all on a private track day where a mule car, a Bronco chase, Pocket 3 rigs, and FPV collide under a tight clock. The shoot worked not because we flexed specs, but because we matched constraints to solutions and stacked a crew that could move fast without missing the story. Esteban’s jo...
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The season kicks off in a new gear: raw, real, and live-cut. We bring Esteban into Studio B to unpack a career built on collaboration, bold pivots, and picking the right tools for the job—then pressure-test it all on a private track day where a mule car, a Bronco chase, Pocket 3 rigs, and FPV collide under a tight clock. The shoot worked not because we flexed specs, but because we matched constraints to solutions and stacked a crew that could move fast without missing the story. Esteban’s jo...
Clients, Contracts & Creative Control—Secrets to Thriving in Video Production
Studio B Sessions
2 hours 10 minutes
8 months ago
Clients, Contracts & Creative Control—Secrets to Thriving in Video Production
In this episode of Studio B Sessions, we sit down with Alex Minor, a corporate events veteran turned video production entrepreneur, who shares the incredible story of how he rebuilt his career from the ground up after the pandemic turned his world upside down. Alex walks us through his transition into the AV and video production industry, revealing how he navigated the early days with limited resources, a strong support network, and an eagerness to learn. From managing film sets under pressur...
Studio B Sessions
The season kicks off in a new gear: raw, real, and live-cut. We bring Esteban into Studio B to unpack a career built on collaboration, bold pivots, and picking the right tools for the job—then pressure-test it all on a private track day where a mule car, a Bronco chase, Pocket 3 rigs, and FPV collide under a tight clock. The shoot worked not because we flexed specs, but because we matched constraints to solutions and stacked a crew that could move fast without missing the story. Esteban’s jo...
