The season kicks off in a new gear: raw, real, and live-cut. We bring Esteban into Studio B to unpack a career built on collaboration, bold pivots, and picking the right tools for the job—then pressure-test it all on a private track day where a mule car, a Bronco chase, Pocket 3 rigs, and FPV collide under a tight clock. The shoot worked not because we flexed specs, but because we matched constraints to solutions and stacked a crew that could move fast without missing the story. Esteban’s jo...
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The season kicks off in a new gear: raw, real, and live-cut. We bring Esteban into Studio B to unpack a career built on collaboration, bold pivots, and picking the right tools for the job—then pressure-test it all on a private track day where a mule car, a Bronco chase, Pocket 3 rigs, and FPV collide under a tight clock. The shoot worked not because we flexed specs, but because we matched constraints to solutions and stacked a crew that could move fast without missing the story. Esteban’s jo...
Why Every Filmmaker Should Join Their Local Chamber: Here’s What Happened When I Did
Studio B Sessions
2 hours 1 minute
7 months ago
Why Every Filmmaker Should Join Their Local Chamber: Here’s What Happened When I Did
In this insightful episode of Studio B Sessions, we explore the often-overlooked power of chambers of commerce and how they can fuel serious business growth for creatives and entrepreneurs alike. Join us as we sit down with Stephen Lewis, President of the West Orange Chamber of Commerce, to uncover how chamber membership can go far beyond networking—impacting everything from legislative advocacy and workforce development to strategic community visibility. Stephen breaks down exactly how small...
Studio B Sessions
The season kicks off in a new gear: raw, real, and live-cut. We bring Esteban into Studio B to unpack a career built on collaboration, bold pivots, and picking the right tools for the job—then pressure-test it all on a private track day where a mule car, a Bronco chase, Pocket 3 rigs, and FPV collide under a tight clock. The shoot worked not because we flexed specs, but because we matched constraints to solutions and stacked a crew that could move fast without missing the story. Esteban’s jo...
