Roger's first contribution to Queen blasts out of the gate and while it might be an intentional (or even subconscious) nod to another band, it stands on its own as a blazing statement of presence. Various versions (Queen, Queen I, Sessions Take, BBC Session 4) take us through the song's creation to an impressive performance that might take the cake as the ultimate best. This may be a lot of noise to some, but it feels deeper than that (to me).