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The Akerman Year
Simon Howell and Kate Rennebohm
12 episodes
8 months ago
Chantal Akerman's work stretched across mediums, formats, modes, concerns, countries, and production models, but only a handful of them have actually been seen by most cinephiles, especially in North America. In this monthly miniseries, we (Kate, Simon, and an assortment of special guests) will make a comprehensive case for Akerman as belonging on any list of the great artists of the last century -- not only for her relatively "famous" works, but also for her dozens of much-less-seen projects.
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TV & Film
Arts,
Society & Culture,
Visual Arts,
Documentary
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All content for The Akerman Year is the property of Simon Howell and Kate Rennebohm and is served directly from their servers with no modification, redirects, or rehosting. The podcast is not affiliated with or endorsed by Podjoint in any way.
Chantal Akerman's work stretched across mediums, formats, modes, concerns, countries, and production models, but only a handful of them have actually been seen by most cinephiles, especially in North America. In this monthly miniseries, we (Kate, Simon, and an assortment of special guests) will make a comprehensive case for Akerman as belonging on any list of the great artists of the last century -- not only for her relatively "famous" works, but also for her dozens of much-less-seen projects.
Show more...
TV & Film
Arts,
Society & Culture,
Visual Arts,
Documentary
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Part 6: Have you considered analysis? (ft. Miriam Bale)
The Akerman Year
1 hour 45 minutes 51 seconds
3 years ago
Part 6: Have you considered analysis? (ft. Miriam Bale)

This month, we're taking a look at Akerman's sole foray into the English mainstream via the 1996 rom-com A Couch in New York, while also taking a look at the 7-minute short that followed in its wake (the introspective Le jour ou) and looking backwards to a previous comic gem, 1984's 60-minute L'homme a la valise. Joining us for this spirited and lively discussion is the great Miriam Bale, returning Lodgers champ. Discussed: Jewish comedy, Akerman's physical comic chops, William Hurt as the end boss of WASPSs, and much more.

Follow Miriam on Twitter at @miriambale and follow the Indie Memphis Film Festival at @indiememphis.

If you like the show or what we do generally, consider throwing us a few bucks to help cover our costs: https://paypal.me/kateandsimonpod

Our intro music is performed by Sundar Subramanian. You can stream and buy his work here: https://sundarsubramanian.bandcamp.com/

The Akerman Year
Chantal Akerman's work stretched across mediums, formats, modes, concerns, countries, and production models, but only a handful of them have actually been seen by most cinephiles, especially in North America. In this monthly miniseries, we (Kate, Simon, and an assortment of special guests) will make a comprehensive case for Akerman as belonging on any list of the great artists of the last century -- not only for her relatively "famous" works, but also for her dozens of much-less-seen projects.