Matt and Bob fire up the lab equipment for a new Analysis on Guillermo del Toro’s Frankenstein, fresh to Netflix. What should have been the director’s long-awaited monster opus instead leaves them puzzling over CGI deer, swoony color palettes, and a strangely sexy Jacob Elordi.
They dig into Oscar Isaac’s mad-scientist energy, Christoph Waltz’s syphilitic benefactor, and why del Toro’s empathy may have drained the horror from Mary Shelley’s tale. From Victorian melodrama to Twilight-core vibes, the guys debate whether this gothic romance ever truly comes alive.
Then they pivot to The Smashing Machine—Benny Safdie’s gritty UFC biopic starring Dwayne “The Rock” Johnson—and talk addiction, obsession, and Emily Blunt’s thankless “nagging girlfriend” archetype. Rounding out the episode: Oscar buzz power rankings (One Battle After Another, Hamnet, Sentimental Value), and a quick look at upcoming awards-season heavy hitters like Bagonia and Marie Supreme.
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Matt and Bob fire up the lab equipment for a new Analysis on Guillermo del Toro’s Frankenstein, fresh to Netflix. What should have been the director’s long-awaited monster opus instead leaves them puzzling over CGI deer, swoony color palettes, and a strangely sexy Jacob Elordi.
They dig into Oscar Isaac’s mad-scientist energy, Christoph Waltz’s syphilitic benefactor, and why del Toro’s empathy may have drained the horror from Mary Shelley’s tale. From Victorian melodrama to Twilight-core vibes, the guys debate whether this gothic romance ever truly comes alive.
Then they pivot to The Smashing Machine—Benny Safdie’s gritty UFC biopic starring Dwayne “The Rock” Johnson—and talk addiction, obsession, and Emily Blunt’s thankless “nagging girlfriend” archetype. Rounding out the episode: Oscar buzz power rankings (One Battle After Another, Hamnet, Sentimental Value), and a quick look at upcoming awards-season heavy hitters like Bagonia and Marie Supreme.
Bob and Rob Grabowski return to The Analysis to talk funny — diving deep into two documentaries that celebrate the architects of laughter: Colin Hanks’ “I Like Me” (on John Candy) and Fred Armisen’s “Downey Wrote That” (on longtime SNL head writer Jim Downey).
From Candy’s mix of heart and heartbreak to Downey’s sharp political wit, the episode unpacks how these two legends shaped the DNA of modern comedy. Expect reflections on Planes, Trains & Automobiles, the “I like me” speech, improv at Second City, SNL lore, and even Norm Macdonald’s Weekend Update rebellion.
It’s a nostalgic, bittersweet ride through laughter, legacy, and what it means to be funny and human at the same time.
The Analysis: A Movie and TV Podcast
Matt and Bob fire up the lab equipment for a new Analysis on Guillermo del Toro’s Frankenstein, fresh to Netflix. What should have been the director’s long-awaited monster opus instead leaves them puzzling over CGI deer, swoony color palettes, and a strangely sexy Jacob Elordi.
They dig into Oscar Isaac’s mad-scientist energy, Christoph Waltz’s syphilitic benefactor, and why del Toro’s empathy may have drained the horror from Mary Shelley’s tale. From Victorian melodrama to Twilight-core vibes, the guys debate whether this gothic romance ever truly comes alive.
Then they pivot to The Smashing Machine—Benny Safdie’s gritty UFC biopic starring Dwayne “The Rock” Johnson—and talk addiction, obsession, and Emily Blunt’s thankless “nagging girlfriend” archetype. Rounding out the episode: Oscar buzz power rankings (One Battle After Another, Hamnet, Sentimental Value), and a quick look at upcoming awards-season heavy hitters like Bagonia and Marie Supreme.
