Connor Lafortune and Lindsay Mayhew share their journey on how they became editors of the anthology A Thousand Tiny Awakenings and why it’s important for youth to have a voice.
Connor Lafortune is from Dokis First Nation on RobinsonHuron Treaty territory of 1850 in Northeastern Ontario. He works primarily in Life Promotion, harm-reduction, mental health, and Indigenous education. He completed his Bachelor’s Degree at Nipissing University with a Double Honors Major in Indigenous Studies and Gender Equality and Social Justice. He is currently in the Masters in Indigenous Relations at Laurentian University. Connor is Anishinaabek, Queer, and Francophone; he uses his understanding of the world to shape his creations as a writer, spoken word poet, and musician. Connor often combines the written word with traditional Indigenous beadwork and sewing to recreate the stories of colonization, showcase resilience, and imagine a new future. He recently released a single in collaboration with Juno Award winner G.R. Gritt titled “Qui crie au loup ? ft. Connor Lafortune.” Above all else, Connor is an activist, a shkaabewis (helper), and a compassionate human being.
Lindsay Mayhew (she/her) is a spoken word artist, poet, andwriter from Sudbury, Ontario. She recently graduated with a Master’s in English Literature from the University of Guelph. Lindsay is the multi-year champion of Wordstock Sudbury’s poetry slam, and she has featured in events across Ontario, including JAYU Canada, Hamilton’s 10th Fashion Week, and Nuit Blanche. She represented Canada in the 2024 Womxn of the World poetry slam. Lindsay’s written work is featured in multiple editions of Sulphur. Her spoken word and written work seeks to combine art and theory to voice feminist futures.
At time 19:23 they read from A Thousand Tiny Awakenings.
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