Welcome to the fourth episode of Ten Texts on Painting. This time, Matt and Andrea discuss the work of Lubaina Himid. We read a 2019 conversation between Himid and the curators of Hollybush Gardens, an essay by feminist art historian Griselda Pollock (2017), and a text by curator Zoe Whitley (2019). Together, we grapple with the complexity of Himid’s work and career, shaped by her wide-ranging interests as a painter, and by her position as a key figure in the Black British art scene of the 1980s and 90s, as curator and artist.
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Welcome to the fourth episode of Ten Texts on Painting. This time, Matt and Andrea discuss the work of Lubaina Himid. We read a 2019 conversation between Himid and the curators of Hollybush Gardens, an essay by feminist art historian Griselda Pollock (2017), and a text by curator Zoe Whitley (2019). Together, we grapple with the complexity of Himid’s work and career, shaped by her wide-ranging interests as a painter, and by her position as a key figure in the Black British art scene of the 1980s and 90s, as curator and artist.
Welcome to episode 2 of Ten Texts on Painting! In this episode Matt and Andrea read two texts by the painter and writer Amy Sillman: ‘On Color’ from 2016 and ‘Ab-Ex and Disco Balls’ from 2011. We talk about paint, colour and different kinds of knowledge. We talk about Sillman’s approach to painting, writing and teaching, and how all those things might connect. We finish up talking about abstract expressionism and feminist performance. It’s a great episode! Amy Sillman is great! You’re great! Enjoy.
Download PDFs of the texts from dekersaint.com/badvibesclub
Sillman, A. (2011) ‘Ab-Ex and Disco Balls: In Defense of Abstract Expressionism II’, Artforum, 3 June.
Sillman, A. (2016) ‘On Color’, in Painting beyond Itself: The Medium in the Post-medium Condition. Berlin: Sternberg Press.
The Bad Vibes Club
Welcome to the fourth episode of Ten Texts on Painting. This time, Matt and Andrea discuss the work of Lubaina Himid. We read a 2019 conversation between Himid and the curators of Hollybush Gardens, an essay by feminist art historian Griselda Pollock (2017), and a text by curator Zoe Whitley (2019). Together, we grapple with the complexity of Himid’s work and career, shaped by her wide-ranging interests as a painter, and by her position as a key figure in the Black British art scene of the 1980s and 90s, as curator and artist.
