Welcome to the fourth episode of Ten Texts on Painting. This time, Matt and Andrea discuss the work of Lubaina Himid. We read a 2019 conversation between Himid and the curators of Hollybush Gardens, an essay by feminist art historian Griselda Pollock (2017), and a text by curator Zoe Whitley (2019). Together, we grapple with the complexity of Himid’s work and career, shaped by her wide-ranging interests as a painter, and by her position as a key figure in the Black British art scene of the 1980s and 90s, as curator and artist.
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Welcome to the fourth episode of Ten Texts on Painting. This time, Matt and Andrea discuss the work of Lubaina Himid. We read a 2019 conversation between Himid and the curators of Hollybush Gardens, an essay by feminist art historian Griselda Pollock (2017), and a text by curator Zoe Whitley (2019). Together, we grapple with the complexity of Himid’s work and career, shaped by her wide-ranging interests as a painter, and by her position as a key figure in the Black British art scene of the 1980s and 90s, as curator and artist.
The fifth of a series of reading group podcasts on sculpture with Andrea Francke. In this episode we talk about the artist Barbara McCullough’s film, ‘Shopping Bag Spirits and Freeway Fetishes’ from 1981. The film takes the form of a series of interviews with Black American artists about their relationship to ritual. We focus on the sections with the sculptors David Hammons, Senga Nengudi and Betye Saar. We also look at an essay by gallerist Linda Goode-Bryant and art historian Marcy S. Philips called, ‘Contextures’ from 1978 that talks about the work of a related group of artists, including Hammons, Nengudi and Saar, who had shown at Goode-Bryant’s New York gallery, Just Above Midtown, in the mid 1970s.
The Bad Vibes Club
Welcome to the fourth episode of Ten Texts on Painting. This time, Matt and Andrea discuss the work of Lubaina Himid. We read a 2019 conversation between Himid and the curators of Hollybush Gardens, an essay by feminist art historian Griselda Pollock (2017), and a text by curator Zoe Whitley (2019). Together, we grapple with the complexity of Himid’s work and career, shaped by her wide-ranging interests as a painter, and by her position as a key figure in the Black British art scene of the 1980s and 90s, as curator and artist.