Welcome to the fourth episode of Ten Texts on Painting. This time, Matt and Andrea discuss the work of Lubaina Himid. We read a 2019 conversation between Himid and the curators of Hollybush Gardens, an essay by feminist art historian Griselda Pollock (2017), and a text by curator Zoe Whitley (2019). Together, we grapple with the complexity of Himid’s work and career, shaped by her wide-ranging interests as a painter, and by her position as a key figure in the Black British art scene of the 1980s and 90s, as curator and artist.
All content for The Bad Vibes Club is the property of Matthew de Kersaint Giraudeau and is served directly from their servers
with no modification, redirects, or rehosting. The podcast is not affiliated with or endorsed by Podjoint in any way.
Welcome to the fourth episode of Ten Texts on Painting. This time, Matt and Andrea discuss the work of Lubaina Himid. We read a 2019 conversation between Himid and the curators of Hollybush Gardens, an essay by feminist art historian Griselda Pollock (2017), and a text by curator Zoe Whitley (2019). Together, we grapple with the complexity of Himid’s work and career, shaped by her wide-ranging interests as a painter, and by her position as a key figure in the Black British art scene of the 1980s and 90s, as curator and artist.
The ninth of a series of reading group podcasts on sculpture. In this episode Matt and Andrea read two texts that help us get to grips with developments in Brazilian art and sculpture in the mid-20th Century. First we look at Ferreira Gullar’s foundational Neoconcretist text ‘Theory of the Non-Object’ from 1959, with the help of Michael Asbury who embeds it within his essay, ‘Neoconcretism And Minimalism: On Ferreira Gullar’s Theory Of The Non-Object’ from the book Cosmopolitan Modernisms from 2005. Then, we take a closer look at the career of a famous Brazilian Neoconcretist, Lygia Clark, by reading Suely Rolnik’s essay ‘Molding a Contemporary Soul: The Empty-Full of Lygia Clark’ from 1999.
The Bad Vibes Club
Welcome to the fourth episode of Ten Texts on Painting. This time, Matt and Andrea discuss the work of Lubaina Himid. We read a 2019 conversation between Himid and the curators of Hollybush Gardens, an essay by feminist art historian Griselda Pollock (2017), and a text by curator Zoe Whitley (2019). Together, we grapple with the complexity of Himid’s work and career, shaped by her wide-ranging interests as a painter, and by her position as a key figure in the Black British art scene of the 1980s and 90s, as curator and artist.
