The Bricked Pit is a podcast where hosts Jason, Josh, and Adam explore movies and pop culture, often focusing on classics from the '80s and '90s. Known for their conversational banter and comedic tangents, the trio offers in-depth analyses of films, digging into everything from practical effects to controversial directors. They aren't afraid to debate the merits of sequels (is "Dawn of the Dead" superior to "Night of the Living Dead?"), and they're not shy about expressing their distaste for excessive nostalgia in modern film.
All content for The Bricked Pit is the property of The Bricked Pit and is served directly from their servers
with no modification, redirects, or rehosting. The podcast is not affiliated with or endorsed by Podjoint in any way.
The Bricked Pit is a podcast where hosts Jason, Josh, and Adam explore movies and pop culture, often focusing on classics from the '80s and '90s. Known for their conversational banter and comedic tangents, the trio offers in-depth analyses of films, digging into everything from practical effects to controversial directors. They aren't afraid to debate the merits of sequels (is "Dawn of the Dead" superior to "Night of the Living Dead?"), and they're not shy about expressing their distaste for excessive nostalgia in modern film.
Topic: Movies to grade your relationships by
We love movies because they can affect us in so many ways. A lot can be learned about people from the types of movies that they prefer to watch. Sometimes we use those preferences to make decisions about people and how we’re going to interact with them. Now we share the movies that we use as metrics for our friends and enemies
Picks:
JK: Gentleman Bronco, Top Secret
JD: Bubba Ho-Tep
Contact Info: linktr.ee/Brickedpit
brickedpit@gmail.com
The Bricked Pit
The Bricked Pit is a podcast where hosts Jason, Josh, and Adam explore movies and pop culture, often focusing on classics from the '80s and '90s. Known for their conversational banter and comedic tangents, the trio offers in-depth analyses of films, digging into everything from practical effects to controversial directors. They aren't afraid to debate the merits of sequels (is "Dawn of the Dead" superior to "Night of the Living Dead?"), and they're not shy about expressing their distaste for excessive nostalgia in modern film.
