Richard and Eric discuss a question posed in The New York Times: "What do consumers owe to producers of art?" They wonder if the concept of 'debt' within the artistic framework is plausible, and muse on its potential ramifications. Is it ethical for organizations to purchase used manuscripts, or loan for rehearsals and performances?
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Richard and Eric discuss a question posed in The New York Times: "What do consumers owe to producers of art?" They wonder if the concept of 'debt' within the artistic framework is plausible, and muse on its potential ramifications. Is it ethical for organizations to purchase used manuscripts, or loan for rehearsals and performances?
Richard and Eric, after struggling to come up with topics for the pocast, resort to asking ChatGPT for help. They review and analyze what offerings AI provides, which leads to a much larger discussion of how AI might intersect the fine arts, most specifically choral music. It is an interesting deep dive into the digital sea.
The Choral Contrarians
Richard and Eric discuss a question posed in The New York Times: "What do consumers owe to producers of art?" They wonder if the concept of 'debt' within the artistic framework is plausible, and muse on its potential ramifications. Is it ethical for organizations to purchase used manuscripts, or loan for rehearsals and performances?
