Richard and Eric discuss a question posed in The New York Times: "What do consumers owe to producers of art?" They wonder if the concept of 'debt' within the artistic framework is plausible, and muse on its potential ramifications. Is it ethical for organizations to purchase used manuscripts, or loan for rehearsals and performances?
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Richard and Eric discuss a question posed in The New York Times: "What do consumers owe to producers of art?" They wonder if the concept of 'debt' within the artistic framework is plausible, and muse on its potential ramifications. Is it ethical for organizations to purchase used manuscripts, or loan for rehearsals and performances?
Richard and Eric discuss the slippery subject of transcendence through music and art. Often referenced throughout their discussions, they take the time to dive more deeply into this difficult concept, deciding if it is something one can grasp for or merely receive. Is it attainable in our day-to-day lives, or only reserved for special moments? ...and what is it exactly, anyway? Lewis, C. S. (2001). The Weight of Glory (1st ed.). HarperOne.
The Choral Contrarians
Richard and Eric discuss a question posed in The New York Times: "What do consumers owe to producers of art?" They wonder if the concept of 'debt' within the artistic framework is plausible, and muse on its potential ramifications. Is it ethical for organizations to purchase used manuscripts, or loan for rehearsals and performances?
