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The Cineskinny
The Skinny
100 episodes
6 days ago
A film podcast from the team behind The Skinny magazine, looking at the wide world of The Movies through a cross-cultural lens. We’re talking old films, new films, good films, bad films, the places we watch films, and why we love them.
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Film Reviews
TV & Film
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All content for The Cineskinny is the property of The Skinny and is served directly from their servers with no modification, redirects, or rehosting. The podcast is not affiliated with or endorsed by Podjoint in any way.
A film podcast from the team behind The Skinny magazine, looking at the wide world of The Movies through a cross-cultural lens. We’re talking old films, new films, good films, bad films, the places we watch films, and why we love them.
Show more...
Film Reviews
TV & Film
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Holy Cow, Adolescence, White Lotus and more
The Cineskinny
45 minutes 24 seconds
7 months ago
Holy Cow, Adolescence, White Lotus and more
In a change to our usual format, we review only one film this episode: the French coming-of-age film Holy Cow. Set in Jura, in the east of France near the Swiss border, it follows a wild 18-year-old lad who has to grow up fast and learn how to make some award-winning Comté after a family tragedy. The rest of the episode sees Peter, Anahit, and Jamie discuss what they’ve been watching on the big and small screen recently, from Black Bag and a Jacques Tati classic to Adolescence and White Lotus via a goofy-sounding show we're pretty sure Anahit has made up. TIMESTAMPS: What We’ve Been Watching: Movies (Black Bag, Uptown Girls, Playtime) (2:14)Holy Cow review (17:08)What We’ve Been Watching: TV (Adolescence, White Lotus, Paradise) (25:34) Get us on Twitter, Bluesky, Instagram and Letterboxd  @thecineskinny, email us at cineskinny@theskinny.co.uk Music: Too Cool by Kevin MacLeod (https://incompetech.filmmusic.io/song/4534-too-cool) License: https://filmmusic.io/standard-license
The Cineskinny
A film podcast from the team behind The Skinny magazine, looking at the wide world of The Movies through a cross-cultural lens. We’re talking old films, new films, good films, bad films, the places we watch films, and why we love them.