A film podcast from the team behind The Skinny magazine, looking at the wide world of The Movies through a cross-cultural lens.
We’re talking old films, new films, good films, bad films, the places we watch films, and why we love them.
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A film podcast from the team behind The Skinny magazine, looking at the wide world of The Movies through a cross-cultural lens.
We’re talking old films, new films, good films, bad films, the places we watch films, and why we love them.
Owing to there being a dearth of great films out in June, we've ditched our usual format and for one week only we're doing a 'call-in' show. We asked our listeners to send in questions and voice notes, and they sent in loads, quizing us on myriad subjects, from sexiness in film to our ideal directors' dinner party to which film characters would make for terrible flatmates.
TIMESTAMPS:
"They’re adapting the Cineskinny into a major motion picture - who would play each of you in the flick? Jamie, you cast Anahit; Anahit, you pick Ellie; Ellie, you choose Jamie." From Peter Simpson (1:33)"When Harry Styles said that Don't Worry Darling really felt "like a movie", what do you think he meant? What other films really feel like a movie??" From Rho Chung (11:38)"Do you think it's cooler to be a director who hones in and does one thing really well (Wes Anderson (debatable lol but ygm), Tarantino etc), or one with RANGE (Danny Boyle for example)" From Phoebe Willison (19:20)"What about 'best and/or worst film you've watched with your parents?" From Carmen Paddock (34:47)"What's your dream directors' dinner party (pick 3, living or dead) and what film would you put on for everyone afterwards?" George Sully (43:18)
Get us on Twitter, Bluesky, Instagram and Letterboxd @thecineskinny, email us at cineskinny@theskinny.co.uk
Recorded at Ground Floor, Leith – ehfm.live
Music: Too Cool by Kevin MacLeod (https://incompetech.filmmusic.io/song/4534-too-cool) License: https://filmmusic.io/standard-license
The Cineskinny
A film podcast from the team behind The Skinny magazine, looking at the wide world of The Movies through a cross-cultural lens.
We’re talking old films, new films, good films, bad films, the places we watch films, and why we love them.