A deep-dive into the intricate world of classical music and all that comes with working in it. Host Ella Lee chats to a bunch of brilliant guests from across the profession, discussing their best career high, their worst career low, and other things that show you a different side to the one you might see on their website.
Instagram: @theclassicalcircuit
Hosted on Acast. See acast.com/privacy for more information.
A deep-dive into the intricate world of classical music and all that comes with working in it. Host Ella Lee chats to a bunch of brilliant guests from across the profession, discussing their best career high, their worst career low, and other things that show you a different side to the one you might see on their website.
Instagram: @theclassicalcircuit
Hosted on Acast. See acast.com/privacy for more information.
In Episode 33 of The Classical Circuit, host Ella Lee talks to Jane Mitchell, Creative Director of the Aurora Orchestra (and also their Principal Flautist), about the ensemble’s fresh approach to performance. Jane talks about the evolution of the Aurora ‘orchestral theatre’ format, which involves the orchestra playing from memory, and their upcoming project 'Carnival', part of their 20th anniversary celebrations this year. She also reflects on their groundbreaking Beethoven 9 at the 2024 Proms, discusses the intention of 'revealing' all the music has to offer, and offers her insights into bringing musicians and management closer together.
-------------------
Aurora Orchestra:
-------------------
Follow The Classical Circuit on Instagram
Did you enjoy this episode? If so, ratings and follows help a lot with visibility, if you have a spare moment... *bats eyelashes*
No offence taken if not.
--------------------
Music: François Couperin - Le Tic-Toc-Choc ou Les Maillotins
Performed by Daniel Lebhardt
--------------------
The Classical Circuit is made by Ella Lee (producer by trade, pianist at heart).
Hosted on Acast. See acast.com/privacy for more information.