The First Sunday after Christmas Day PROCESSIONAL: Glory to God in the highest – Plainsong, adapt. Peter R. Hallock (1924-2014) PSALM 147 – Peter R. Hallock (1924-2014) HYMN: Of the Father’s love begotten (Tune: DIVINUM MYSTERIUM) – Sanctus trope, 11th cent.; adapt. Piae Cantiones, 1582; arr. Richard T. Proulx (1937-2010) [see Tintinnabulum] NUNC DIMITTIS (Tune: […]
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The First Sunday after Christmas Day PROCESSIONAL: Glory to God in the highest – Plainsong, adapt. Peter R. Hallock (1924-2014) PSALM 147 – Peter R. Hallock (1924-2014) HYMN: Of the Father’s love begotten (Tune: DIVINUM MYSTERIUM) – Sanctus trope, 11th cent.; adapt. Piae Cantiones, 1582; arr. Richard T. Proulx (1937-2010) [see Tintinnabulum] NUNC DIMITTIS (Tune: […]
ORISON: ‘The Call,’ from Five Mystical Songs – Ralph Vaughan Williams (1872-1958)
PSALM 66:1-11 – Peter R. Hallock (1924-2014)
HYMN: O Christ, You Are Both Light and Day – plainsong, Mode 2, Mailander Hymnen, 15th cent.
NUNC DIMITTIS – Plainsong setting, Tone VI; harm. Lodovico Grossi da Viadana (c. 1560-1627)
ANTHEM: ‘In pace’ from Three Latin Motets – Grayston Ives (b. 1948)
Jeremy Matheis, director • William Turnipseed, reader • Fred McIlroy, cantor
The Compline Service from St. Mark's Cathedral
The First Sunday after Christmas Day PROCESSIONAL: Glory to God in the highest – Plainsong, adapt. Peter R. Hallock (1924-2014) PSALM 147 – Peter R. Hallock (1924-2014) HYMN: Of the Father’s love begotten (Tune: DIVINUM MYSTERIUM) – Sanctus trope, 11th cent.; adapt. Piae Cantiones, 1582; arr. Richard T. Proulx (1937-2010) [see Tintinnabulum] NUNC DIMITTIS (Tune: […]
