"Send us a Text!" The snow falls, the slippers shuffle, and a classic story gets a new pulse. We pull up a seat with Greta Gerwig’s Little Women and sort through what changes elevate the March sisters and what choices muddy the emotional payoff. From the first nonlinear cut, the film signals a fresh read on Louisa May Alcott: memory versus reality, authorship versus audience, and how a woman’s life gets packaged for sale. That structure sets the stage for one towering takeaway—Florence Pugh’s...
All content for The Couch Critics is the property of The Couch Critics and is served directly from their servers
with no modification, redirects, or rehosting. The podcast is not affiliated with or endorsed by Podjoint in any way.
"Send us a Text!" The snow falls, the slippers shuffle, and a classic story gets a new pulse. We pull up a seat with Greta Gerwig’s Little Women and sort through what changes elevate the March sisters and what choices muddy the emotional payoff. From the first nonlinear cut, the film signals a fresh read on Louisa May Alcott: memory versus reality, authorship versus audience, and how a woman’s life gets packaged for sale. That structure sets the stage for one towering takeaway—Florence Pugh’s...
A 59-Year-Old Rookie: The Senior Reviewed with Honesty, Heart, and a Few Fumbles
The Couch Critics
7 minutes
1 month ago
A 59-Year-Old Rookie: The Senior Reviewed with Honesty, Heart, and a Few Fumbles
"Send us a Text!" What does a second chance really cost when the clock has been running for decades? We sat down with The Senior, Angel Studios’ new football drama about Mike Flynt, a 59-year-old who returns to college to finish what one moment stole from him. The hook is irresistible—age against odds, pride against regret—and the story carries enough truth and heart to keep us invested, even as it follows a familiar sports-movie path. We talk about why the film feels both uplifting and safe...
The Couch Critics
"Send us a Text!" The snow falls, the slippers shuffle, and a classic story gets a new pulse. We pull up a seat with Greta Gerwig’s Little Women and sort through what changes elevate the March sisters and what choices muddy the emotional payoff. From the first nonlinear cut, the film signals a fresh read on Louisa May Alcott: memory versus reality, authorship versus audience, and how a woman’s life gets packaged for sale. That structure sets the stage for one towering takeaway—Florence Pugh’s...
