In Bereishit 39, Joseph’s story in Egypt unfolds through a recurring motif — garments that both reveal and conceal. Potiphar’s wife seizes Joseph’s cloak, using it to frame him, echoing earlier moments when clothing marked deception: Joseph’s ketonet passim dipped in blood, and Tamar’s disguise before Yehuda. Across these stories, garments become symbols of recognition and misrecognition — of how easily appearances deceive.

Yet beneath this narrative thread lies a deeper theological question. God never speaks directly in Joseph’s story; divine presence is hidden, like truth beneath layers of fabric. Joseph’s journey teaches him — and us — to look beyond the surface, to recognize that even when human vision fails, divine providence weaves quietly through every event.