Everything we do is filtered through entertainment. If it’s not entertaining, there is a good chance that nobody is paying attention. So, to understand the world, you have to not only look at your screen but comprehend what is on it. Where does our entertainment come from? Why? How is it shaped by the world around us and how is it shaping that same world?
This is the focus of The Entertainment. Each week, Tom Knoblauch explores an element of our culture through conversations with creators and consumers of film, television, music, art, and more.
Hosted on Acast. See acast.com/privacy for more information.
Everything we do is filtered through entertainment. If it’s not entertaining, there is a good chance that nobody is paying attention. So, to understand the world, you have to not only look at your screen but comprehend what is on it. Where does our entertainment come from? Why? How is it shaped by the world around us and how is it shaping that same world?
This is the focus of The Entertainment. Each week, Tom Knoblauch explores an element of our culture through conversations with creators and consumers of film, television, music, art, and more.
Hosted on Acast. See acast.com/privacy for more information.

Guy Maddin, director of My Winnipeg, The Saddest Music in the World, and Brand Upon the Brain is a filmmaker who seemingly operates by no rules and often merges the surreal, the traditional, and the experimental. The idea of discomfort at the merger of traditional ideas with the inexplicable, of the familiar with the bizarre, is both true of his style and also the substance of his latest film, Rumours—which he directed with Evan Johnson and Galen Johnson. Available now on video on demand, the film follows a G-7 meeting between leaders from the U.S., Canada, France, Germany, Italy, Japan, and the U.K in the midst of an apocalyptic event that leaves them alone in the woods, having to fend for themselves without any of their systems of support. This week's show is a conversation with Maddin about both the construction of the movie but also its context as an artifact of a world in transition, whether its leaders want to admit it or not.
Keep the conversation going in the comments. Follow The Entertainment on Facebook, Instagram, or Substack and let us know what you think. Subscribe on your favorite podcast app and we’d love it if you gave us a review. The Entertainment is a production of KIOS 91.5 FM Omaha Public Radio. It is produced and edited by Courtney Bierman. Our artwork was created by Topher Booth. Thank you for listening.
Hosted on Acast. See acast.com/privacy for more information.