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The Film Stage Presents
The Film Stage Presents
419 episodes
2 days ago
One of the many special things in Train Dreams, directed by Clint Bentley, is the production design. Nearly every element of each setting feels like it was just sitting there, waiting to be captured. Of course, this is not the case. It was meticulously, carefully planned and built. The Film Stage's Dan Mecca was lucky and honored to speak with Alexandra Schaller, the film’s production designer, about the agonies and ecstasies of bringing Train Dreams to life, as well as some earlier, accomplished work in her career. Additional thanks to Schaller, who provided The Film Stage access to mood boards and behind-the-scenes photos from the project. Explore here: https://thefilmstage.com/train-dreams-production-designer-alexandra-schaller-on-finding-beauty-in-the-land-and-making-small-films-feel-big/
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TV & Film
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One of the many special things in Train Dreams, directed by Clint Bentley, is the production design. Nearly every element of each setting feels like it was just sitting there, waiting to be captured. Of course, this is not the case. It was meticulously, carefully planned and built. The Film Stage's Dan Mecca was lucky and honored to speak with Alexandra Schaller, the film’s production designer, about the agonies and ecstasies of bringing Train Dreams to life, as well as some earlier, accomplished work in her career. Additional thanks to Schaller, who provided The Film Stage access to mood boards and behind-the-scenes photos from the project. Explore here: https://thefilmstage.com/train-dreams-production-designer-alexandra-schaller-on-finding-beauty-in-the-land-and-making-small-films-feel-big/
Show more...
TV & Film
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Emulsion Ep. 10 - Alex Ross Perry and Clyde Folley on Videoheaven
The Film Stage Presents
36 minutes 55 seconds
4 months ago
Emulsion Ep. 10 - Alex Ross Perry and Clyde Folley on Videoheaven
Perhaps no line of dialogue better encapsulates lived experience than this bon mot offered by John Huston’s Noah Cross: “Of course I'm respectable. I'm old! Politicians, ugly buildings and whores all get respectable if they last long enough.” I thought about this line––granted, a line I think about at least once a week––while watching Alex Ross Perry’s Videoheaven, which is perhaps the closet a movie can come to putting us back in the four walls of a video store, a concept so old that some people reading this will have never directly experienced that once-commonplace, even disreputable home of cinephilia. Building off Daniel Herbert's book Videoland: Movie Culture at the American Video Store, Perry spins a history through film, television, and documentary clips overlaid with a soothing narration from Maya Hawke, who happens to play a video store clerk on Stranger Things and whose father is featured in Videoheaven's very first sequence. This is a movie of both choice and coincidence, assembled carefully but perhaps with a certain kind of kismet tying it all together. With Videoheaven beginning a limited run––you’ll hear more about its exact New York venue herein––I spoke to Perry and Clyde Folley, his editor on the film and an editorial voice at Criterion.
The Film Stage Presents
One of the many special things in Train Dreams, directed by Clint Bentley, is the production design. Nearly every element of each setting feels like it was just sitting there, waiting to be captured. Of course, this is not the case. It was meticulously, carefully planned and built. The Film Stage's Dan Mecca was lucky and honored to speak with Alexandra Schaller, the film’s production designer, about the agonies and ecstasies of bringing Train Dreams to life, as well as some earlier, accomplished work in her career. Additional thanks to Schaller, who provided The Film Stage access to mood boards and behind-the-scenes photos from the project. Explore here: https://thefilmstage.com/train-dreams-production-designer-alexandra-schaller-on-finding-beauty-in-the-land-and-making-small-films-feel-big/