The Gerard Cosloy Radio Hour (That Feels Like Two Hours)
Gerard Cosloy
266 episodes
5 days ago
today’s show marks the 21st anniversary of what came to be known as “Malice At The Palace”, the (in)direct inspiration for Wizznuttz’ amazing reinterpretation of Picasso’s “Guernica”, aka “Aubernica”. For all the seismic changes the incident brought about in spheres of professional sports and crowd control, it is deeply regrettable “Aubernica” does not occupy space in a public gallery (aside from, well, this post), but we live in different times. If I want to watch the clip of Jermaine ...
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today’s show marks the 21st anniversary of what came to be known as “Malice At The Palace”, the (in)direct inspiration for Wizznuttz’ amazing reinterpretation of Picasso’s “Guernica”, aka “Aubernica”. For all the seismic changes the incident brought about in spheres of professional sports and crowd control, it is deeply regrettable “Aubernica” does not occupy space in a public gallery (aside from, well, this post), but we live in different times. If I want to watch the clip of Jermaine ...
07/08/25 Show 267 : Only The Most Dynamic Pricing For Kindly Cock Records' Lone Signing
The Gerard Cosloy Radio Hour (That Feels Like Two Hours)
1 hour 59 minutes
4 months ago
07/08/25 Show 267 : Only The Most Dynamic Pricing For Kindly Cock Records' Lone Signing
earlier this week, a (very funny) social media post by David Stubbs extensively cataloged the myriad ways Oasis suck-like-crazy, laying waste to the revisionist history these dopes had any redeeming values, musical or otherwise. As this post was timed to coincide with the (less interesting) Bruddas’ reunion stadium tour — not titled “Triumph Of The Norms & Normettes”, but perhaps it should’ve been — it’s been circulated far and wide. The thing is, you don’t need Stubbs’ permission to con...
The Gerard Cosloy Radio Hour (That Feels Like Two Hours)
today’s show marks the 21st anniversary of what came to be known as “Malice At The Palace”, the (in)direct inspiration for Wizznuttz’ amazing reinterpretation of Picasso’s “Guernica”, aka “Aubernica”. For all the seismic changes the incident brought about in spheres of professional sports and crowd control, it is deeply regrettable “Aubernica” does not occupy space in a public gallery (aside from, well, this post), but we live in different times. If I want to watch the clip of Jermaine ...
