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The Gerard Cosloy Radio Hour (That Feels Like Two Hours)
Gerard Cosloy
266 episodes
1 week ago
today’s show marks the 21st anniversary of what came to be known as “Malice At The Palace”, the (in)direct inspiration for Wizznuttz’ amazing reinterpretation of Picasso’s “Guernica”, aka “Aubernica”. For all the seismic changes the incident brought about in spheres of professional sports and crowd control, it is deeply regrettable “Aubernica” does not occupy space in a public gallery (aside from, well, this post), but we live in different times. If I want to watch the clip of Jermaine ...
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Music Commentary
Music
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today’s show marks the 21st anniversary of what came to be known as “Malice At The Palace”, the (in)direct inspiration for Wizznuttz’ amazing reinterpretation of Picasso’s “Guernica”, aka “Aubernica”. For all the seismic changes the incident brought about in spheres of professional sports and crowd control, it is deeply regrettable “Aubernica” does not occupy space in a public gallery (aside from, well, this post), but we live in different times. If I want to watch the clip of Jermaine ...
Show more...
Music Commentary
Music
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08/27/25 Show 274 : To Save Your Ears, I'll Zap Myself Into Irrelevancy
The Gerard Cosloy Radio Hour (That Feels Like Two Hours)
2 hours
3 months ago
08/27/25 Show 274 : To Save Your Ears, I'll Zap Myself Into Irrelevancy
The other day, an East Village Radio colleague played a new recording by a band so derivative, so feckless, so utterly craven, so thoroughly lacking any musical or lyrical creativity that I knew I had to do something about it. Except of course, there’s nothing I can do about it. Where I to name and shame this particular ensemble, I would almost certainly subject myself to accusation of bullying, or even worse, “gate-keeping”. Putting aside how I’ve kept MANY rec...
The Gerard Cosloy Radio Hour (That Feels Like Two Hours)
today’s show marks the 21st anniversary of what came to be known as “Malice At The Palace”, the (in)direct inspiration for Wizznuttz’ amazing reinterpretation of Picasso’s “Guernica”, aka “Aubernica”. For all the seismic changes the incident brought about in spheres of professional sports and crowd control, it is deeply regrettable “Aubernica” does not occupy space in a public gallery (aside from, well, this post), but we live in different times. If I want to watch the clip of Jermaine ...