The Gerard Cosloy Radio Hour (That Feels Like Two Hours)
Gerard Cosloy
266 episodes
1 week ago
today’s show marks the 21st anniversary of what came to be known as “Malice At The Palace”, the (in)direct inspiration for Wizznuttz’ amazing reinterpretation of Picasso’s “Guernica”, aka “Aubernica”. For all the seismic changes the incident brought about in spheres of professional sports and crowd control, it is deeply regrettable “Aubernica” does not occupy space in a public gallery (aside from, well, this post), but we live in different times. If I want to watch the clip of Jermaine ...
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today’s show marks the 21st anniversary of what came to be known as “Malice At The Palace”, the (in)direct inspiration for Wizznuttz’ amazing reinterpretation of Picasso’s “Guernica”, aka “Aubernica”. For all the seismic changes the incident brought about in spheres of professional sports and crowd control, it is deeply regrettable “Aubernica” does not occupy space in a public gallery (aside from, well, this post), but we live in different times. If I want to watch the clip of Jermaine ...
09/03/25 Show 275 : Much Like A Yungblud Instore, There Is No Way To Rationalize This Photograph
The Gerard Cosloy Radio Hour (That Feels Like Two Hours)
2 hours
2 months ago
09/03/25 Show 275 : Much Like A Yungblud Instore, There Is No Way To Rationalize This Photograph
he accompanying photograph is from an aborted IG account called ShaneandKaneOuttaContext. The problem is, I cannot possibly share such an arresting visual without providing some context. For the crap politician on the right, this is maybe the most (only?) relatable thing he’s ever done. For the Bill Simmons lookalike on the left, a man whose only marketable skill is his ability to fall from great heights, this was a grim reminder that running wild on the mean streets of Greenwich, CT wi...
The Gerard Cosloy Radio Hour (That Feels Like Two Hours)
today’s show marks the 21st anniversary of what came to be known as “Malice At The Palace”, the (in)direct inspiration for Wizznuttz’ amazing reinterpretation of Picasso’s “Guernica”, aka “Aubernica”. For all the seismic changes the incident brought about in spheres of professional sports and crowd control, it is deeply regrettable “Aubernica” does not occupy space in a public gallery (aside from, well, this post), but we live in different times. If I want to watch the clip of Jermaine ...
