The Gerard Cosloy Radio Hour (That Feels Like Two Hours)
Gerard Cosloy
266 episodes
1 week ago
today’s show marks the 21st anniversary of what came to be known as “Malice At The Palace”, the (in)direct inspiration for Wizznuttz’ amazing reinterpretation of Picasso’s “Guernica”, aka “Aubernica”. For all the seismic changes the incident brought about in spheres of professional sports and crowd control, it is deeply regrettable “Aubernica” does not occupy space in a public gallery (aside from, well, this post), but we live in different times. If I want to watch the clip of Jermaine ...
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today’s show marks the 21st anniversary of what came to be known as “Malice At The Palace”, the (in)direct inspiration for Wizznuttz’ amazing reinterpretation of Picasso’s “Guernica”, aka “Aubernica”. For all the seismic changes the incident brought about in spheres of professional sports and crowd control, it is deeply regrettable “Aubernica” does not occupy space in a public gallery (aside from, well, this post), but we live in different times. If I want to watch the clip of Jermaine ...
The Gerard Cosloy Radio Hour (That Feels Like Two Hours)
2 hours
2 months ago
09/10/25 Show 276 : Never Been In An (Infa) Riot
this week’s program comes to you from Wood Green where following a fascinating guided tour of guitarist Barry D'Amery’s birthplace/museum, we’ll discuss the disappointing, nah, shocking paucity of details on INFA RIOT’s wikipedia. How can an ensemble with such a rich and colorful historybe summed up in a mere two paragraphs? Is there really nothing to be said of the band’s ill-advised decision in 1984 to change their name to The Infas? Are there no details — say, for instance, calls for...
The Gerard Cosloy Radio Hour (That Feels Like Two Hours)
today’s show marks the 21st anniversary of what came to be known as “Malice At The Palace”, the (in)direct inspiration for Wizznuttz’ amazing reinterpretation of Picasso’s “Guernica”, aka “Aubernica”. For all the seismic changes the incident brought about in spheres of professional sports and crowd control, it is deeply regrettable “Aubernica” does not occupy space in a public gallery (aside from, well, this post), but we live in different times. If I want to watch the clip of Jermaine ...
