This week, we're getting sweaty and clenching our buttocks tightly, because we've got two renowned movies filled with tight-fisted, white-knuckled tension.
The Wages of Fear (AKA Le Salaire de la Peur), from director Henri-Georges Clouzot, is a proto-action thriller from the 1950s, which takes a while getting to its set-pieces and then doesn't let up until the final frame. Twenty-some years later, William Friedkin (The French Connection, The Exorcist) decided to (not) remake it as the poorly-titled Sorcerer, updating those incredible action scenes with a massive budget and a more socio-politicial undercurrent.
As always, we're here to weigh up the pros and cons of both approaches, before pitting them against one another.
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