Hello! Welcome to the second instalment of our series on Philip Seymour Hoffman and his diverse oeuvre. Today we're talking aboutCapote (Miller, 2005), which is about as far fromAlong Came Polly (Hamburg, 2004) as you can get. We fan out over Hoffman's ability to exhibit several emotions at once and we discuss how Truman, and not the murders, is the movie's biggest mystery.

Hoffman won an Oscar for this one, and we think his performance is worth a look, so join us!

Also, we had a couple of whoopsies with the sound in the first half, so we (well, I) apologize. But also, I'm not a professional sound technician, so you get what you get. :)